Research On Guan Liang's Drama Figure Painting

The twentieth century was a time of many cultural and artistic turbulence in China.Guan Liang,as an artist with great innovative spirit,combined Chinese traditional opera art with the concept of plastic arts to create a new and modern subject matter of figure painting,opera figure painting,which not only sought a balance point in the audition of artistic culture,but also mixed the fa-gu and innovation together perfectly.In two different artistic categories,he made figure painting go to a new realm,promoting the innovation of artistic concepts and techniques,injecting new blood into traditional Chinese painting art,and pushing freehand brushwork to a new height.Guan Liang's opera figure paintings convey "light","naive","simple" and "naive" that are like sketches and Yuanqu.They changed the large-scale situation of their predecessors,and created a unique world between sizes,highlighting the true feelings in humor,containing interesting in briskness and exuding unique charm.First of all,he has unique ingenuity in character modeling and brush and ink.The shape is irregular,and figure's face and body modeling are between similarities and differences,and position is also after depth thinking,breaking the inherent formula with bold choice and innovation.Secondly,he paid attention to the rhythm of lines and ink,reflecting the unique elegance of literati painting.Brush and ink and details are closely linked to the character,retaining the original temperament of the characters in the opera and the story of the opera with the greatest range.Thirdly,he drew lessons from other art works,such as shadow play and mural sculpture of Dunhuang Mogao Grottoes,drew on the old to bring forth the new,and used many artistic elements for my own use,thus forming his own unique artistic style.Guan Liang's art is returning to the true in the cultural level.This artistic program has created a vast cultural highland for us.After him,the art circle set off a upsurge of sketch painting,and literati painting got new vitality and vitality,and the flavor of opera had a great charm between ink rulers.This paper interprets Guan Liang from various artistic perspectives,using the methods of work analysis and interdisciplinary research.I also visited the Zibo Beijing Theater and Zibo Dramatists Association on the spot,and watched the rehearsal and singing of opera performers and their appearance and ecology on the stage.Then it combines Guan Liang's life and paintings,from the intersection of opera figure painting and Beijing opera art,the creation of Dunhuang murals and shadow play,and other aspects,to interprete Guan Liang's pen and ink language and artistic style comprehensively.And then it summed up Guan Liang's painting language program,thereby further elaborating my inspiration in practical creation.