Guan Liang,Ma Shulin Beijing Opera Freehand Figure Painting Research

Both Beijing Opera and Chinese painting are treasures of Chinese traditional culture.Guan Liang and Ma Shulin are representative artists in the creation of freehand figure paint ings of contemporary Peking Opera.By using the traditional Chinese freehand painting lan guage and integrating the color and composition of modern painting art,they present the fr eehand figure works of Chinese painting drama with strong Oriental flavor.This paper takes Peking Opera as the entry point and Chinese freehand figure painting as the core.Taking the works of Guan Liang and Ma Shulin as the case,it combs the relati onship between traditional freehand figure painting and Guan and Ma's freehand fig ure painting of Peking Opera.On the developmental and Ma Shulin two painters,plain and elegant composition of sculpt,unique ink performance and subjective color painting langu age to carry on the analysis,interpretation of the two works of art in the commonness and i ndividuality,to come to the conclusion that the two painting style characteristics and the fo rmation of personality,language and expression,hoping for a Peking Opera freehand brush work figure painting creators.The article cites cases to analyze the cultural embodiment,artistic aesthetic and emoti onal expression of Guan and Ma's Freehand figure painting of Peking Opera,aiming to find out the artistic value of the integration of Peking Opera and Chinese painting from the perspectives of inheriting the brushwork techniques of Chinese painting,carrying forw ard the freehand spirit of Chinese painting,and carrying forward the national traditional cul ture.This paper expounds that the artistic creation of contemporary Chinese painters shoul d be continuously explored and integrated into traditional Chinese folk art so as to create ar tistic works with national characteristics,the spirit of The Times and meet the requirements of The Times.