Research On The Moss-spotting Method In Shi Tao's "Search For Qifeng And Make Draft"

This paper expounds the development and function of the painting method of landscape painting.The emphasis is on the research on the shape and relationship of the point method in Shi Tao’s "Searching for the Peak".In the current development trend of landscape painting,there are constantly seeking styles and styles,there are a lot of diversity in seeking pen and ink,as well as the pursuit of continuous pursuit of picture effects,etc.,but no matter what way,what purpose The creation of landscape paintings from the beginning is to be based on the laws of nature and nature.The expression language of landscape painting is quite a lot.As one of the expression languages of landscape painting,the point moss method can be studied and integrated into various applications.Throughout the history of landscape painting,the point of moss has existed as a method of strengthening the structure,and then went to Shi Tao’s "searching for the peaks and drafting drafts" in the point of the law.Through the analysis of the uniqueness of the moss paintings on this scroll,it can be traced back to the late Ming and early Qing dynasties.With the appearance of the painter of the monks,Shi Tao broke the original pattern of "tradition" and "making ancient".In the landscape painting he Not sticking to the program,boldly ink,to express their true feelings.“Searching for the peaks and drafting drafts” is itself an aesthetic view of Shi Tao,which aims to collect and accumulate materials of the laws of nature.And in the art creation,it is refined and processed to obtain the theory of painting,and then the method of creating landscape painting.The creation of landscape painting is also inseparable from the author’s true feelings.The emotions carry beautiful expectations.The works are also real and lively because of emotions.They are still the original intention of our life,relying on the times,taking emotion as the main line,and literary works.Only have precious value.Secondly,the author extends the point method to the creation,how to reasonably use the relationship and morphological expression in the point of moss,and the fusion of the form and emotion of the point of the moss,and at the same time,the regularity of the true mountain water can bemore profound.In the end,there will be a more intuitive and specialized study of personal painting practice,and it will also contribute to the methodological and selective grasp of his own creation.