Research On The Moss Of Gong Xian's Landscape Painting

This paper aims to research practical application of the point moss technique formed by Gong Xian's painting style,in order to further explore how Gong Xian strengthened his formal language with the method of point moss.Based on the analysis of the images and the understanding of brush-ink,this paper expounds the significance of the formation of the point moss in Gong Xian's painting style from the perspective of the relationship between the form and layout of Gong Xian's painting style.The accumulation of midpoint moss in the painting style from less to more,from sparse to complex,and the stacking of layers of ink contributes to the formation of its "black Gong" painting style.At the same time,it explains explains the absorption and inheritance of the ancients' experience in Gong Xian's landscape painting creation,as well as the transformation and innovation of the use of traditional brush-ink.Gong Xian draws lessons from Fan Kuan,the "two meter",Wu zhen,Shen Zhou,etc.after continuous exploration and summary,it forms a unique painting method of accumulated ink and moss.This study finds that the point moss in Gong Xian landscape painting is more to show the characteristics of its ink accumulation method,and highlight the thickness and richness of ink.Gong Xian's Ji Mo landscape painting style has also had an important impact on future generations.On the basis of studying and analyzing Gong Xian's artistic features,the author finds that,in addition to Gong Xian's "first dry then wet" method of point moss accumulation,point accumulation with a wet brush on wet to saturated paper can better show the hazy and hazy effect of the picture,and apply it to the future creation of landscape painting,so as to improve the performance of techniques and the perception of landscape painting brush-ink temperament.