Research On The Point Scene Of Ancient Landscape Painting

landscape painters can intuitively express emotion,and also in the form of image painting reflects a certain historical period of the political life,culture,aesthetic ideal and other social and historical form.In the process of the development of Chinese ancient landscape paintings Chinese,both the theme and form of pen and ink techniques to present are rich.In this paper,based on the development history of Chinese ancient landscape paintings,the representative landscape painter painting,interpretation of characteristics of ancient landscape painting China evolution point of view with the theme of historical development change key sequence and painting ink form,in common,summed up the law,find the difference,new interpretation,make the theoretical research process of ancient paintings.Based on the research frame design,based on the chapter structure of the history of dating will be divided into nine chapters.The first chapter introduction part focuses on the concept of landscape painting point of view,the main types of landscape painting landscape,function and method of landscape painting and landscape on the ancient stage landscape point of view the research results;the second chapter is mainly composed of the painting from the start,the theory of painting in Wei and Jin Dynasties is confirmed China ancient landscape painting landscape of the initiation period,at the same time for us "Water cannot borrow Zhang Yanyuan pan,people in the mountain”landscape painting "and" the evaluation,"disproportion" art assertions that interpretation;the third chapter through the image interpretation of the Sui Dynasty landscape painting landscape painting Chan tzu-ch'ien artistic image,reveals the theme of the green landscape painting landscape painting early artistic image expression the characteristics and landscape painting,the image of the painting form and position,showing the characteristics of coloring art analysis;the fourth chapter elaborates on the Tang Dynasty landscape painting landscape,which mainly relates to the point of landscape painting landscape painting landscape and Sheng Tangzhong Tang period of the scene,the artistic features of history painting by painting landscape of Tang Dynasty painting landscape interpretation;the fifth chapter discusses the Five Dynasties landscape painting landscape art,mainly discusses from two parts of the five generation of the landscape painting of the north and South landscape landscape painting landscape The research point of view,the landscape painting of the north to Jing Hao,Guan Tong painting as an example,study the landscape painting point of view to Dong Yuan,Ju ran painting as an example,through the paintings reveal the five generation of landscape painting landscape in seclusion art taste;the sixth chapter is the research of landscape painting landscape in Song Dynasty,this chapter mainly involves two aspects,one hand on the Northern Song Dynasty panoramic landscape painting landscape art image analysis shows that,on the other hand on the Southern Song Dynasty corner composition form landscape painting landscape painting image,interpretation of the two Song Dynasty landscape painting landscape art form as the change of form;the seventh chapter is the research the Yuan Dynasty landscape painting landscape art,this chapter of the Yuan Dynasty landscape painting landscape art of interpretation,the key to Zhao Mengtiao,"four yuan" landscape painting works as an example of painting landscape art image interpretation,from a glimpse of Yuan Dynasty Write Yi interesting paintings in the art of landscape painting landscape;the eighth chapter is the research of the Ming Dynasty landscape painting landscape,mainly through the Ming Wang landscape painting landscape painter,Zhejiang School landscape painting point of view,analysis of the middle period of the Ming Dynasty Wu School of landscape painting and landscape painter Dong Qichang in late Ming Dynasty landscape painting landscape,history the inheritance of the Ming Dynasty landscape painting painting feature end point of view;the ninth chapter is the research on Qing Dynasty landscape painting landscape art,this chapter by the painter of landscape painting landscape painter of landscape painting,innovation point of view,antique painter landscape painting landscape painting,landscape painter and missionary home landscape painting landscape five a section of landscape painting,discusses the change of painting characteristics in Qing Dynasty of the landscape diversity and landscape painting landscape art.From the point of view of the theme of ancient landscape painting form,characters in Wei Jin Dynasties and the Sui and Tang Dynasties painting landscape painting,the horse and the building are a complete narrative plot often express the painting point of view image,to show the palace noble life modality;the five generation two Song Dynasty landscape painting landscape painting theme more widely.Point of view shows the theme of seclusion,labor scene,landscape and scenic Palace dance and other real life art modality,painting point of view also often presents a diverse and independent narrative art scene;Yuan Ming and Qing Dynasties landscape painting landscape theme in high performance,character,energy-saving,friends of tea,the literati Gallery hidden painting landscape painter image majority,this period pay more attention to their inner emotional world,the landscape painting landscape theme image are also not from the observation of real life and income,is a painter from His inner art image,and artists often use this theme painting landscape metaphor of his life emotion.From the point of view of landscape painting painting form,China ancient landscape painting landscape painting in ink form overall a fine to the simple,from the moment to re write,from realism to ink form the point of view of painting freehand trajectory,color form by the bright bright trend of relatively simple and plain.