Research On The Final Conclusion Of Baudrillard's Art

Baudrillard is a very active thinker in France in the 20 th century.He deeply analyzes the organization and aesthetic characteristics of contemporary society with rare thoroughness and originality.Baudrillard did not write a special theoretical work on art and aesthetics,but he often used his artistic form and artistic status to testify for his theoretical criticism.In Baudrillard's theoretical work,we can find that social,political,economic and even artistic works,art markets,and art consumers are just places for Baudrillard to prove their views on culture and art.At the same time,they are one of the evidences of Baudrillard's theoretical criticism,which in turn has become a driving force for Baudrillard's theoretical construction.We believe that Baudrillard's ideas have become contemporary classics in the field of art studies,especially in the discussion of consumer society,media,aesthetics and art.Throughout the context of the development of art,the end of art has emerged along with the evolution of the entire Western society.Beginning with the Renaissance,Western society has experienced a transformation from tradition to modern to post-modern.Western art has also changed correspondingly with the development of Western society in terms of its form,status and significance.In this process,Hegel,Adorno,Danto and others became the elucidator and symbol of the final conclusion of art.While Baudrillard inherited the predecessors' theoretical thoughts,he also had different views on the topic of the end of art.As far as Baudrillard is concerned,the issue of the so-called "end of art" is based on the fact that art has long lost its own context and deviated from itself.Among them,aesthetic modernity has become a knowledge-based experience after hundreds of years of self-movement,so that art no longer belongs to the sequence of rituals.Aesthetics has also changed from an anthropological sense of sensibility to a teleological propaganda.Art has become a symbol in the ubiquitous situation,and various forms have made contemporary art form a close conspiracy relationship with contemporary society both in structure and phenomenon.Based in Delhi,wavelengths,and the related work and research results,put an end to his art thought as a whole in all stages of its theoretical development,from the early wave of baudrillard "object system","consumer society","symbol critique of political economy",to the late "symbolic exchange and death","the perfect crime",the theory of attraction,the art of conspiracy "and other works,the development ofthe art thinking thread and each stage systematically expounded ideas about the end of art.First of all,from the wave of baudrillard art the end theory combing the development of its theory source,we will issue back to Hegel period,after Arthur tantor and Hans bell of the people from the point of this thesis described different proposition and to wave baudrillard put forward to the end of the "art",the end of art theory and the history of the development of clear springs.After that,the "things"from scratch declared the end of the commercial society and the coming of consumer society,and vulgar,pop art,and art is the "consumer society" and "symbol of political economics" art from the era of characterization,therefore,we through the "content",vulgar,pop art analysis to explore the direction of contemporary art in general.Then,we will run through baudrillard's art view in the interpretation of the simulacra hierarchy theory,and regard the development history of art as a process of "symbolic reproduction" that develops and evolves continuously,so as to re-examine the western art process since the Renaissance.In baudrillard's theoretical system,this process is manifested as the evolution of the relationship between artistic works and the real world.Comprehensive implosion at the same time,the contemporary society,the meaning of real and break through the boundary between the old metaphysics,various social energy in all directions in the form of disorder scattering penetration,esthetics energy also can't escape this caused by the media "verisimilitude" contemporary fate,the identity of the traditional art as aesthetic value carrier were lifted,baudrillard believed that,contemporary art has "invalid".Finally,we return to baudrillard's conclusion of the end of art,from the perspective of "art collusion" to explain the art in the continuous development of the final meaningless process.This thesis will take Baudrillard's thoughts on the end of art as the research object,through the combing of its theoretical origin and theoretical construction,in order to correctly understand the relationship between art activities and philosophy,art and art history,for us to understand Baudrillard's "art" The "end" idea provides insightful vision and viewing frames.