The Exploration And Study Of Nationality In The Creation Of Soviet Animation Film Joint Studio

Animation is a form of audio-visual expression of various art disciplines.Animation industry is gradually becoming a part of the soft power of national culture.Chinese animation has been brilliant for a while,now it is waving in the mature animation industry of America and Japan and seeking the way of localization and nationalization.Animation creation practice can not be separated from the support of theoretical research.Domestic research on some relatively non-mainstream branches in the field of animation is very limited.The research on the nationality of animation and the influence of planned economy on animation is rare.Soyuzmultfilm,once a teacher of Chinese animation,has been annihilated in history,but the classics of the studio animators are still of great artistic and research value today.In this paper,the historical research method is used to study animation in a specific historical background,to clarify the development of Soviet animation,to make it accurate and inf-ormative,and to understand the soil of its emergence and maturity.To learn why,at a given time,there will be typed animation,focusing on vertical and horizontal comparisons of the relationship between animation and the results of other artistic disciplines.In order to better understand the theoretical support obtained from the evolution and development of animation expressions,analyze the formation factors of its changing style from a new perspective.The Soviet animation is rooted in the classical literature,the art of painting design and the theory of national film,which contains rich cultural connotations.All ethnic groups in the Soviet Union pay attention to themselves,uphold the truth,people-oriented,play due diligence and other humanistic spirit through the role of animation fully expressed,animation image has become the self-representation of the Soviet people in animation art.The metaphor of cultural symbols makes the expression of nationality more implicit,but it can leave more reverie and thinking space for the audience.This kind of profound thought increases the interpretability of Soviet animation.And in the interpretation found that the creator hidden in the animation more profound national character.Through the exploration and study of the nationality in the creation of Soyuzmultfilm,from the surface to the inside,we hope to obtain from this teacher again the experience of adapting to the development of Chinese animation in the new era.For example,in the system,the form and style of artistic expression and the enlightenment of humanistic spirit,in order to adhere to the road of nationalization,to become a powerful means to carry forward the national culture,to reproduce the brilliance of the Chinese school and to establish the "cultural self-confidence" in the field of animation creation.Finally,the theory is applied to practice,with the Soviet animation research results to guide graduation creation.