The Exploration Of Body Aesthetics From The Han Painting "Feather Man" To The Han Painting Experimental Dance "Feather Man"

As we all known “Han Dynasty Portraits”,including Han stone brick of Han dynasty,Han dynasty,Han dynasty murals,Han painting on silk,Han dynasty lacquer wares on image information,the above way to distinguish between divided into different material for the premise,but we will learn the concept of image processing of the all the image data are collectively referred to as Chinese painting,the image is heavily reliant on late way of rubbings,the identification of its emphasis lies in the form of image."Immortal capable of flight" is Chinese Han dynasty stone brick,the god of magic art image,"Born body hair,Arms have wing,Chitose undead" is the main characteristic of "Immortal capable of flight",it is just like angel form heaven and human,graft to bridge the communication people god,such a vivid image,whether Chinese painting or dance,visual arts has its present and activate the expectations,different types of physical expression will be sleeping more than two thousand years ago "Immortal capable of flight" to the modern human body reconstruction and activation.Through the analysis of various archaeological documents and images,the duet "Immortal capable of flight" was presented through the experimental reconstruction of the body,and was performed on the platform of "experimental performance of Chinese painting and dance" in the tutor workshop of graduate school of Beijing dance academy in April 2017.Among the five experimental works in the whole Han painting and dance ritual field,"Immortal capable of flight" ranks the fourth.To serve as a link between the past and the future,"Immortal capable of flight" reconstructs the scene where the belief life and the secular life are together with the body of "Immortal capable of flight".No matter in Han dynasty or today,the problem of the body is an inevitable and important problem of human beings,and the body is also a key medium for the study of aesthetics and dance.The image data of "Immortal capable of flight" is selected as visual and intuitive dance data,which can be used in conjunction with dynamic body corpus.The image content is described and interpreted in the way of body,and the symbolic system of visual image is interpreted in the way of body reconstruction.This paper not only analyzes the details of the body reconstruction of the work "Immortal capable of flight",but also looks for the meeting point with dance studies with the body aesthetics as the theoretical support in the research process.Based on the body interpretation of "Immortal capable of flight" in Han painting and the body presentation of contemporary people as the medium,the body culture of "Immortal capable of flight" in Han painting is studied from the perspective of body aesthetics on the specific dance body form,and only the reconstructed Han painting dance "Immortal capable of flight" can bring the humanistic connotation and aesthetic attribute of Han society to the audience.Therefore,in the body feedback of "Immortal capable of flight","the heart of nostalgia" is retained to realize the reflection and transcendence of aesthetic spirit under the body media.