| Chinese classical sword dance has been for nearly 40 years.It is the crystallization of Chinese excellent traditional culture and physical culture.Chinese classical sword dance is an indispensable part of the discipline system of Chinese classical dance.It not only deepens the course of bare-hand rhyme,but also shapes and promotes the dancerundefineds body,heart and morality in an all-round way.Taking the training of Chinese classical sword dance as the research object,this paper probes into the relationship between the functional principle of Chinese classical sword dance and the grasp of style from the exploration of the expression of meaning(ideographic consciousness,mode of expression).Through the analysis and research of Chinese classical sword dance classroom training,this paper attempts to complete four aspects of research: 1,based on Chinese traditional aesthetics,to explore the origin and truth of Chinese classical dance expression.Lay the foundation for the ideographic exploration of sword dance training;2,through the analysis and carding of sword culture history,to explore the ideographic characteristics of sword dance,to find cultural support for sword dance training;3,starting with "Yi",thinking about the Chinese classical sword dance training,digging out the formation and change of the "Yi" in the sword dance training,digging out the significance of the sword technique in the aesthetic level,and strengthening the image expression of the Chinese classical sword dance;4,through the exploration of expressing intention in the training of Chinese classical dance,the importance of artistic expression in the training level is emphasized,and the maneuverability of the combination of Chinese sword culture and sword dance training is enhanced.This paper attempts to further shorten the distance between classroom training and stage performance through sword dance training,and to contribute to the vigorous development of Chinese classical dance teaching. |
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