Research On The Application Of Peking Opera Elements In National Vocal Music

As the quintessence of China,Peking Opera contains extremely rich Chinese traditional opera culture and artistic value.In recent years,vocal music works with the flavor of Beijing Opera have been widely sung.Composers have integrated the vocal style of Beijing Opera into modern creation techniques.The two techniques are integrated with each other,making Beijing Opera and national vocal music the perfect combination of the two arts,forming a new art form--"Jingge"."Jingge" is a form of vocal music that uses traditional Beijing Opera style and singing techniques to express vocal music works.It not only draws lessons from the elements of Peking Opera such as the plate structure,the pronunciation of the character cavity,the breath technique,and the runqiang style,but also draws lessons from and absorbs the art culture of Peking Opera,and integrates both of them into the national vocal music works,thus forming a unique Peking Opera style works popular with the public.This paper is divided into four parts to discuss the application of Peking Opera elements in national vocal music works.The first part combs the history of Chinese national vocal music and the development of Peking Opera,and combs the emergence and development of "Beijing Song".The second part discusses the three elements of the tone plate structure,the character tone and the runtone respectively,explores its definition and studies how it is used in the "Jing Ge".The third part of "Ode to Pear Flower","Mei Lanfang" these two "Beijing song" works of singing and skills analysis.The fourth part makes reflections on the value of Peking Opera elements in national vocal music.Through the study and analysis of "Jingge" and jingge works,the author grasps the application rules of Peking Opera elements in national vocal music,connects theory with practice,and accurately grasps this kind of works in singing.