Font Size: a A A

The Use Of Semantics In Guzheng Works

Posted on:2020-12-31Degree:MasterType:Thesis
Country:ChinaCandidate:Z H LiFull Text:PDF
GTID:2435330575993487Subject:School of music and dance
Abstract/Summary:PDF Full Text Request
Music and language are in two subsystems under the generalized symbolic system,both have considerable commonalities and connections in many ways.Language can express emotions,and music is an art that can express feelings.Although they use different symbols as carriers,they are the most direct and profound ways to express emotions in human beings.The strength of the strength,the undulation of the melody line and so on,are very similar to the tempo of the linguistic expression,the intensity of the volume,the suppression of the tone,and the like,and are good at reproducing the inner psychological changes of the person.If the method of studying the meaning of language in semantics can be used for the study of "music language",the meaning of music will be more easily reflected.Through the study of related literatures and works,this paper discovers and organizes the relationship between semantics and zither art,and takes two works of "Chang Xiang Si" and "Feng Qiao Ye Bo" as examples to analyze the case through semantics.In-depth discussion of it through semantics to discuss the specific way in which "music language" expresses music connotation.so as to fully apply semantic perspective to the field of zither art,create zither works,performance,and aesthetics provide new methodologies to add momentum to the development of zither art.The main structures of the article are follows:The first chapter introduces semantics,finds the commonality with "music language" from its theoretical evolution,and then expounds the meaning of "music language" from the perspective of semantics.In addition,it lists the field of zither art from the perspective of zither playing techniques.The reason for using a semantic perspective.Finally,the three linguistic expressions used in the zither works are summarized.The second chapter:the musical elements and meanings of the "Chang Xiang Si" and "Feng Qiao Ye Bo",from the perspective of semantics,the segmented deep interpretation.The third chapter:Explain the significance of applying semantics to the creation,performance and aesthetics of zither works,and hope to provide a new "fulcrum" for the development of zither art.
Keywords/Search Tags:Semantics, Meaning, "Chang Xiang Si", "Feng Qiao Ye Bo"
PDF Full Text Request
Related items