The Evolution And Artistic Characteristics Of The Dubbing Art Style Of Chinese TV Documentaries

In recent years,with the background of The Times,li lihong and other dubbing staff present the dubbing works of several large-scale documentaries such as "five avenue" and "a bite of China" with novel interpretation style,providing new ideas for the dubbing creation of current media.Under the background of a hundred flowers blossoming,with the continuous improvement of technology and audience taste,the interpretation style has changed more in line with audience and modern and contemporary needs.The combination of sound and painting is an important art form of modern and contem porary TV documentaries.The sound of TV documentaries includes human voice commentary,music,sound effects and other elements.This integrated design of sound elements gives the audience vivid and intuitive feelings through the audio-visual system in the process of displaying dynamic pictures.At present,domestic scholars'research on documentaries is limited to narration and so on.The creation process of TV documentary is not a simple combination of sound and picture,but a systematic study,scientific application and artistic display as a whole.It is necessary to give full play to the linkage effect of sound and picture,so as to maximize the resonance of psychology and emotion between creators and audiences.Therefore,this paper will combine domestic TV documentaries to deeply study the dubbing art style of Chinese TV documentaries.This paper first discusses the development and evolution of Chinese documentaries.Through this process and the historical background,it is found that documentary dubbing creation has three development stages.Second,through the Chinese dubbing theory of "three four" analysis of sound language skills at present stage,and their own understanding and complementary interpretation,in the end,through the analysis of voice acting theory related skills,as well as the assurance of the text,dubbing the characteristics of art in China is analyzed,and reference the theoretical knowledge of the aesthetics of reception,transverse comparison.This paper hopes to make up for the lack of dubbing art in the development stage of China through the above research.Meanwhile,in the new era,how dubbing interpretation art actively ADAPTS to the diversified needs of the country and the audience,and how to serve the improvement of the quality of TV documentary creation,so as to make a summary and prospect.