Research On The Use Of Banqiang In The Narrative Song "Meng Jiangnu"

In the long development of traditional opera music,a unique style system has been formed,which provides a certain reference for the creation,singing,teaching,and development of national vocal music works.In recent years,more and more national vocal songs have absorbed the essence of the plate cavity in terms of language style,plate structure,and style,and used the rich local characteristics and distinctive national style of the plate cavity.The narrative song "Meng Jiangnü" was adapted by the word writer Liulin and the composer Wangzhixin based on the traditional folk song "Meng Jiangnü" in Jiangsu Province.The works absorbed and borrowed from the musical elements,structural singing and creative techniques of the traditional Chinese opera music chamber.The traditional folk minor tune was expanded into a large-scale national vocal music work with introductions and endings in accordance with the plot of "spring,summer,autumn,and winter." The article takes the typical use of the plate cavity body in the National vocal music works as an example.This paper analyzes the application and performance of the plate cavity body in "Meng Jiangnü" from the aspects of plate change,song structure,Opera singing,emotional processing,character creation,and style presentation.Through exploring the reference and application of the plate cavity body in the National vocal music works represented by "Meng Jiangnü",In order to provide some reference to enhance the traditional national characteristics and emotional expression of the works,improve the singing processing skills and aesthetic ability in the singing and teaching of national vocal music.