The Creation Research Of Zhaoliang Dance Drama "Oriental Spiritual Desire Trilogy"

With the rapid development of modern dance in China,modern dance groups and body theatres have been established in major cities,such as Beijing Lightning World Modern Dance Troupe,Venus Modern Dance Troupe,Tao Body Theater,Zhao Liang ART and so on.At the same time,the state has paid more and more attention to the creation of dance art,and established the "Young Dance Talents Cultivation Plan" to provide creative funds for a large number of outstanding and innovative young directors.Zhao Liang,as an outstanding candidate of the "Peiqing Project",has been trying to create cross-border works with different spaces,environments and theatres.He formed his unique body language and style with his unique artistic concept.His three dance plays,Alert Fantasy,Fantasy Tea Riddle and Shuangxia Shan,are known as the "Oriental Spiritual Trilogy" and are well received at home and abroad.The works present a diversified creation of the Oriental body movement noumenon,and express human nature with a new relationship between body and theatre,and make a profound reflection on society.In this paper,Zhao Liang's three representative dance plays are taken as the main research objects,and their creative background,formal media expression and aesthetic pursuit are analyzed.The body language form presented in Zhao Liang's works and the significance and value of behind-the-scenes speech are discussed.This paper is divided into four parts:In the first part,through sorting out the background of Zhao Liang's artistic creation,the author understands the accumulation of artistic time,pluralistic cultural accumulation and mechanism in the early stage of Zhao Liang's artistic creation.The second part,through the analysis of the media expression of the three dance dramas,explores the dance body language and other multi-media art isomorphic spiritual creation style in Zhaoliang's "Oriental Spiritual Trilogy".In the third part,starting from the analysis of the aesthetic pursuit of the three dance plays,starting from the aesthetic principle of delicacy,the expression method and the aesthetic thought of dualism,the limitations of the creation of the current individual dance theatre represented by Zhao Liang are aroused.