Research On The Performance And Evaluation Of Beethoven's Works In China (1861-1949)

The performance and evaluation of Beethoven's works in China is a study of the performance of Beethoven's works on the Chinese mainland from 1861 to 1949.It is a study of Beethoven's evaluation of his works,and it was against Beethoven at that time.Research on the performance and evaluation of musical performances.Beethoven's work spread from the earliest Shanghai concession to the streets of Shanghai and Beijing.Beethoven's name began with the earliest English newspapers,and gradually appeared in Chinese newspapers,Chinese periodicals,Chinese books and even Chinese textbooks.Beethoven's works are composed by the Shanghai Bureau of Industry and Commerce,the Orchestra of the Music Institute of Peking University,the Xile Club of Beijing Normal University,the Music Department of the National Art College,the Orchestra of the Music Association,the Experimental Orchestra of the National Conservatory of Music,the Chinese Symphony Orchestra,and the National Experiment.The institutions and groups of the Theatre Orchestra continue to perform.The performances of these performances include Beethoven's Piano Sonata No.14,Op.27 No.2?Sonata“Appassionata”?Overture“Leonore No.3”?Overture " Prometheus”?Aria" Fidelio”?Symphony No.2 in D major?Symphony No.7 in A major?Symphony No.3 in E flat major“Eroica”?Symphony No.5 in C minor“Fate Symphony”?Symphony No.9 in D minor“Choral”etc..Reports and evaluations before and after the performances were also published in the newspapers such as " The North China Daily News”,"Shun Pao"," Shuntian Times”and“Beijing Normal University Weekly”,“Wen Yi Chun Qiu”,"Music Education”," Chinese Students ",“Youth Life ","Western Literature",“Magazine ",“LeFeng”,“Broadcast Weekly”,“Youth”,“New Oriental",“Freedom Forum”," Arts”," Shanghai Art Monthly”and other journals.