Research And Application Of Mi Fu's Cursive Qi Movement

Mi Fu calligraphy not only inherits the traditions of calligraphy since Jin and Tang Dynasties,but also flies its own colors since Song Dynasty and among other Chinese calligraphy.His layout of characters provides a classic aesthetic paradigm and infinite imagination space for later calligraphy creation.This article starts with the ink marks of Hhsin(Xing)and Sao(Cao),take the layout of Hangqi as the objects of the research,and analyse and conclude the ways and regular patterns in the layout of Hangqi and Guanqi in Hhsin and Sao in Mi Fu.Meanwhile,the author clarifies his personal thinking and understanding of learning Mi Fu and what later calligraphers and contemporary calligraphy creation learn from the patterns in Guanqi of Mi Fu and how to apply it correctly.Through this paper,the author hopes to provide some new thinking patterns and approaches for the study of the layout of contemporary calligraphy.