Research On The Image Of Intellectuals In Fang Fang's Novels

Since the Fang Fang went to the top of the literary world,she has continued to write on the subject matter of intellectuals.In the historical attitude,Fang Fang always upholds the value orientation of intellectuals and tries to present the living state and spiritual core of intellectuals in different eras.In the style of stylistics,Fang Fang uses some techniques such as irony and polyphony to perfect the portrayal of the image of intellectuals in formal innovation.As a result,Fang Fang's creation breaks through the pattern creation of “scar” and “reflection” in the literary world since the new era,and redirects the thinking to the way and life course of the “human” existence as the subject.This paper focuses on the typical image of intellectuals in Fangfang's novels,grasps the life course and spiritual dilemma of different intergenerational intellectuals through the image of intellectuals in Fangfang's novels,and examines the cultural connotation of the subject of intellectual imagery and philosophical thinking.This thesis takes the image of intellectuals in Fangfang's novels as the research object.The thesis is divided into four chapters: The first chapter expounds the background of the creation of the intellectual image of the Fangfang,extending from both inside and outside,and thinks that it is common in the times,the environment and the individual.Under the action,the molecular image of the square's knowledge is generated,and the image of the intellectuals in the pen is authentic and universal.The second chapter presents the image spectrum of intellectuals.On the one hand,it grasps the characteristics of different intergenerational intellectuals in Fangfang's novels from the diachronic nature,and explores the life history and spiritual history of Chinese intellectuals.On the one hand,from the synchronicity to grasp the typical image of intellectuals in Fangfang's novels,Fang Fang's novels are extremely refined and generalized to extract the spiritual core of the intellectual image,and analyze the aesthetic implication of the individual intellectuals as an example.Explore the living state and spiritual dilemma of intellectuals in the exploration of diachronic and synchronic,and construct the three-dimensional image of intellectuals.The third chapter analyzes the survival dilemma of intellectuals,and explains the spiritual dilemma of intellectuals from the "loss of independence" caused by the external environment and the "collapse of values" within intellectuals.Trying to grasp the struggle and transformation of intellectuals under the pulse of the times,and to explore the deep-seated reasons for the formation of intellectuals.At the same time,it is pointed out that the image of intellectuals in Fangfang's novels eventually goes to the fatalistic tragedy ending of "nowhere to escape".However,Fangfang's fate is not fear and compromise,but is achieved in the exploration of intellectual humanity.The transcendence of fatalism.The fourth chapter explores the image of intellectuals through narrative strategies.The ironic language constructs polysemy texts,and the interlacing and integration of time and space demonstrates the “traditional escape” of intellectual survival.Through the narrative strategy to deconstruct the sublimity of the era,the true essence of intellectuals is restored.