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Archaeological Study Of Buddhist Holding Patterns

Posted on:2020-11-02Degree:MasterType:Thesis
Country:ChinaCandidate:F WangFull Text:PDF
GTID:2435330578478766Subject:Specialized in archaeology
Abstract/Summary:PDF Full Text Request
The six 'Naju' is a decorative pattern composed of six kinds of "animal" images in Tibetan Buddhism,which appears mainly as pagoda door and Buddha's back ornaments.The subject matter of the Naju originated from the art of India and Nepal,and was introduced into the Han and Tibetan regions,and developed in the Buddhist art of the two places,and its combination and style in different periods and different regions showed different characteristics.There are many Buddhist relics containing Naju patterns,this paper collects the data of these Buddhist relics,uses archaeological methods,collates and analyzes these data,sums up the law of the development and change of Naju pattern ombination and style,and probes into the origin of Naju,the artistic style contained in it,It also makes a shallow analysis on the restoration of museum related cultural relics.The full text is divided into five parts:The first part introduces the value and significance of the topic,current study situation and the object and purpose of the research.The second part:A brief overview of the information collected in the text containing the Naju pattern of the remains of the situation.The third part:Archaeological research on the number of relics.Divided into relics and relics of two categories,the remains include pagoda doors,murals,large Buddha statues of the back decoration,relics include tangka,small Buddha statues.Firstly,the above remains are described,and then the fractal fractions are divided,and finally the rules of their combination and style change are summarized respectively.The part fourth part:Analysis of related issues.With regard to the origin of Naju patterns,this paper holds that they originated from the Buddhist art of India and Nepal.With regard to the artistic style of Naju this paper holds that there are different styles in different regions before the Yuan Dynasty,and the characteristics of the fusion of Han and Tibetan art in the period of Yuan and Ming dynasties are the most significant;Closer to its beginning,but the Lions,lions,elephants,the three Naju direction should be turned back.The part fifth part:conclusion.Summarize the main thrust of this study,and point out the limitations.
Keywords/Search Tags:The decoration named 'Naju', six Naju, Tibetan Buddhism, Han-Tibetan culture exchange
PDF Full Text Request
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