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The Formation Of The Concept Of The Soprano Voice In Mozart's Operas And The Singing Experience

Posted on:2020-12-23Degree:MasterType:Thesis
Country:ChinaCandidate:F PanFull Text:PDF
GTID:2435330578974290Subject:Music
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Mozart was a great dramatic genius,his creation benefits from the absolute objective state of mind.Music is his language,his whole creation idea has pure aesthetic nature.Mozart wrote more than twenty operas in his lifetime,he has always incorporated his own real life into his works,so most of his works focus on highlighting life and skillfully used music to express all the characters,features and psychological states in the works.In this paper,two arias of Cherubino in the<Marriage of Figaro>are selected as the main research object and the formation is the concept of the Vocal of Subsoprano.This paper analysis the singing of these two arias,further through three Subsoprano singers vocal singing practice as a basis,combined with own artistic practice.This paper makes an in-depth study of the singing experience of the Subsoprano and summarizes the important cognition in the singing practice process.This paper consists of five parts:Chapter one is the introduction,which briefly explains the significance,research purpose,research methods and literature review of this topic.The second chapter mainly introduces the formation of the Vocal of the Subsoprano through Mozart's opera.This chapter first introduces the concept of Subsoprano,then discusses the voice characteristics of Subsoprano aria,and on this basis summarizes the formation of the concept of Subsoprano voice,and the influence of the concept of Subsoprano voice on the development of aria.The third chapter mainly analyzes the singing of Subsoprano aria in Mozart's opera,and accurately locates the role of Cherubino through music characteristic analysis,and makes an in-depth analysis of his singing.The fourth chapter focuses on the in-depth analysis of the singing characteristics of the three soprano singers on the aria of Cherubino,combined with their own vocal singing experience,and tries to summarize how the soprano singers can better sing this segment process.At last,the conclusion of this paper is drawn on the basis of the above discussion.
Keywords/Search Tags:Mozart, Subsoprano, Cherubino, Opera aria, Singing experience
PDF Full Text Request
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