Research On The Vocabulary Of Ancient Calligraphy And Painting

The research on the lexicon of ancient calligraphy and painting mainly collects ancient words from ancient calligraphy and painting,and explores the difference and connection between ancient Chinese and modern Chinese with the knowledge of exegesis and lexicology.Due to the carrier medium--the written and abstract nature of calligraphy and painting,the words of calligraphy and painting often reflect the specific and sensible image and vividness,so that later scholars can accept and understand.For example,"Xuan zhen zhuan" in calligraphy style vocabulary,"Ma ya cun" in painting and so on.Vocabulary study is likely to be in view of the development of the problem,by using the method of combining with total duration.On the one hand,from the synchronic plane analysis of ancient calligraphy and painting vocabulary formation and semantic features.Semantic features analysis can help us to understand the combination of the ancient painting and calligraphy vocabulary with paradigmatic relations,calligraphy and painting vocabulary in the word-building ability is stronger,tend to have a certain stability.Polysyllabic words are mainly the compound words of "verb + noun",followed by the compound words of "noun + noun",and then the compound words of "adjective + noun".It can be seen that the combination of ancient painting and calligraphy vocabulary is mainly verb-object vocabulary.On the other hand,from the diachronic level analysis of the ancient painting and calligraphy vocabulary semantic vertical development.Calligraphy and painting,as one of the important creative abilities of literati and literati in Chinese feudal society,can often be extended to a wide range of applications.Nowadays,many modern Chinese words,such as "feng bo luan piao","ji bai dang hei",are derived from the ancient Chinese words.The vocabulary of ancient calligraphy and painting is mainly extended to other fields by means of comprehensive extension.Language contains rich cultural connotation,and the analysis of the cultural factors in the study of ancient calligraphy and painting vocabulary reveals the thinking characteristics of the ancient working people in China,who took things at close range and things at a distance,and at the same time reflects the traditional ideas of viewing things and taking images,and balancing the framework.School inheritance is also one of the important way to inherit calligraphy and painting creation.