| The title of my thesis "From Yongle Palace Frescoes to Wood C Aarvings" originated froma special exhibition and was recognized by experts.This may be an inspiration for me in the past 20 years.Which opened the way for me to explore the idea of "transformation" in fresco creation.The second and third parts of the article ihteipret the conversion and practice of learning one by one,through the process of mural painting in Lincai Yongle Palace and the experience of mural painting practice,the basic relationship between the materiality as a painter :a profound understanding of the mural art creation concept of changing one by one.For artists,they often work hard to find a breakthrough in the essence and paradigm of art.The word "transformation" opens up an innovative mood and replaces inertial thinking and stereotypes,but theyalso need to face new challengs.Fresco creators often use all kinds of materials creatively to combine the spirituality of materials with the idea of creators.At the same time,fresco creators often have multiple identities such as salesman,project leader,supervisor of builders,and even producer.In the fourth part,I dream of returning to Yongle and seize the new opportunity : through the production of creative works,Isynthesize the practical works of "transformation" concept and look forward to new breakthroughs,at the same time,I also do a good job of adapting murals as engineering projects to enter the market-oriented era,and realize my murals dream according to the legal norms and codes of conduct of construction projects.After graduating from the undergraduate course in 1996,he began to step into the society,engaged in the graphic design of advertisements,interior and exterior design and construction of decoration projects,mural design and production,etc.By coincidence,he stepped into the campus after 20 years.Through three years of graduate study,he deeply realized the significance of "transformation" in theory and practice. |
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