From Su Shi's Theory Of "the Same In Poetry And Painting", The Aesthetic Purport Of The Literati In Song Dynasty

“uniformity for poem and painting” is the famous aesthetic proposition of Su Shi,however,in Song Dynasty,Su Shi was not along for holding the recognition of uniform relationship for poem and painting,under his influence,“uniformity for poem and painting” became the common sense of scholars in Song Dynasty,they emphasized the homogeneity and similarity of poem and painting,and presented this uniformity into all the aspects of art practice.Although Su Shi does not have a complete set of theoretical work for poem and painting,he made a wonderful note for the recognition of scholars in Song Dynasty on “uniformity for poem and painting” with the artistic eye and artistic achievement by sweeping down irresistibly from a commanding height.This article will cut in from the three aspects which are the methodology,value theory and style theory for the creation of poems and paintings by the scholars of Song Dynasty and discusses the unique aesthetic purport of scholars in Song Dynasty concealed in this “uniformity for poem and painting”,the ideas guiding artistic or literary creation.There are four parts in total for the thesis.Chapter I mainly conducts the analysis on the social background and political background of scholar group in Song Dynasty and Su Shi to elucidate the objective condition for the establishment and popularity of the theory of “uniformity for poem and painting” by Su Shi.Chapter II is about the methodology of scholars in Song Dynasty for art,it presents the migration of creation by scholars in Song Dynasty for poems and paintings from the creation with the combination of poem and painting and discloses the stream of times with the big combination of art by all the scholars in Song Dynasty concealed in the back of this creation method.Chapter III is about the aesthetic values of scholars in Song Dynasty,it mainly demonstrates the respect of Su Shi and scholars in Song Dynasty for the “liberal style” of poem and painting,and develops the commonness of time for the respect of scholars in Song Dynasty for liberal style from the dialectical relation of truth and feeling,theory and art.Chapter IV is about the spiritual realm of scholars in Song Dynasty,it explores for the deep annotation for the flavor of flatness in poems and paintings by scholars in Song Dynasty by which it discloses the view of life and the universe in the poem and painting fun of“external infertility and middle fertility” and feels the deep inspiration of “life art” from scholars in Song Dynasty.In the opinion of this article,the exploration and analysis of Su Shi on “uniformity for poem and painting” is helpful for us to deepen the research on the art creation of Su Shi and his thinking of aesthetics to develop the cultural value of the painting and poetry theory of Su Shi to the maximum on one aspect.On the other aspect,it explores for the commonness of time for the aesthetics of group through the recognition of scholars in Song Dynasty to the uniformity of poem and painting.It sees something big from something small and demonstrates the aesthetic fun of scholars in Song Dynasty from different angles.This will make our research on the aesthetic thinking of scholars in Song Dynasty be more microscopic,scientific and detailed.