Gorgeous Sublime

"Pr(?)chtige" comes from Kant's description of the aesthetic experience of St.Peter's Cathedral.Its basic connotation is mainly defined as the use of beautiful elements to show the beauty of sublime in a suitable way.However,in the history of western aesthetics,its theoretical interpretation has been in the blank.In the 17th century,the Italian Baroque Church carried out a concrete interpretation of it,this paper will mainly focus on four aspects of its reverence analysis.Thus the concept of "Pr(?)chtige" is explained,and the course of its extension and disintegration is briefly stated,so as to reveal the main contents of the "Pr(?)chtige":The first part expounds the magnificent and noble concept history,the relationship between church architecture and sublimity,and the development history of Baroque church,so as to reveal the theoretical background of the analysis of the sublime nature of Italian Baroque church.The second part focuses on the analysis of the social,historical and cultural context of the rise of Baroque Church in Italy,mainly focusing on three aspects:chaos,turbulent times,the conflict of opposing religions and the idea of multiple symbiosis.It is this complex historical power and religious mysticism that together form the venerable power of the magnificent beauty of the Italian Baroque Church.The third part mainly explains the "Pr(?)chtige" of Italian Baroque Church from three angles.From the point of view of architectural form,it is mainly manifested as a kind of formless beauty unfolding;from the aesthetic psychology,it is reflected in a kind of negative pleasure caused by the heavy and heavy feeling,and from the point of view of aesthetic psychology,it is reflected in a kind of negative pleasure caused by the heavy and heavy feeling.Looking at the ultimate direction of human existence,it directly points to a transcendent life.In the fourth part,it is the tension conflict between ornate and sublime and the unique historical context that together gave birth to the appearance of "Pr(?)chtige" in Baroque Church,Italy.This change in tension also causes the "Pr(?)chtige" to be deconstructed in the development of Baroque art and modern aesthetics,but it is still possible to study this theory.It is of great methodological significance to the research and development of modern aesthetics.The main purpose of this paper is to illustrate the "Pr(?)chtige" uniqueness by analyzing the social phenomenon of Baroque Church in Italy:transform sublimity into gorgeous visual language.And this theory has realized the connection between worldly and noble.