Su Shi's Acceptance Research In Ming Dynasty Poetry Talks

Su Shi is a writer with various artistic talents in the literary history of our country.He has created more than 2700 poems and more tlhan 300 ci poems in his life,and his prose are even more voluminous.In addition,he is also the founder of a generation of Song poetry system.He is a bright pearl in the history of literature of the Song Dynasty,and his death is worth crying with the literati.Since tUie Song Dynasty,the scholars'study of Su Shi has never ceased.Because the]iterary environment of each dynasty is different,the acceptance degree of Su Shi was different from each dynasty.As a whole,the acceptance of Su Shi was incessant.Generally speaking,the two dynasties which were most enthusiastic about Su Shi's acceptance were Song and Qing.The Ming Dynasty has always been regarded as the low valley period of Su Shi's acceptance,because the litera,y circles of Ming Dynasty worshiped the Tang and suppressed the Song,and even more,it is suggested that the acceptance of Su Shi in the Ming Dynasty is in the,niddle of extinction.It can be found that there are more than 1000 items related to Su Shi in the poetics of Ming Dynasty.As ai important form of literary theory in the Ming Dynasty,the enthusiastic acceptance of Su Shi in the poetics of Ming Dynasty can radiate the acceptance of Su Shi in the whole Ming Dynasty.Therefore,this article analyzes,generalizes,sums up,and tries to restore Su Shi's true acceptance situation in Ming Dynasty.This thesis is divided into four chapters:The first chapter gives a general description of Su Shi's acceptance situation in the poetics of Ming Dynasty,including the accepting environment of Su Shi in the Ming Dynasty.The two tendencies of Su Shi's acceptance in poetics of Ming Dynasty and the characteristics of Su Shi's acceptance in the poetics.The first section explains Su Shi's accepting environment of literature in the Ming Dynasty from three aspects:the cultural policy in the early Ming Dynasty,the literary retro-ancient trend of thought in the middle and Latter Half Ming Dynasty,and the new literary thoughts in the late Ming Dynasty.Because of the restriction of the literature environment in Ming Dynasty,there are two tendencies to Su Shi's acceptance:one is the consistent praise tendency and the other is the fierce and long-lasting tendency of criticism.In addition,the acceptance of Su Shi in the poetics shows the following characteristics:from the point of view of acceptance,critics expresses their views on the people in the Ming Dynasty by expressing his views on Su Shi;From the point of view of accepting method,Su Shi's works are evaluated in combination with Su Shi's character and his experiences,and in tenns of the object of acceptance,the love of Su Shi's prose in the poetics of Ming Dynasty is obviously more than that of Su Shi's poems.The second chapter mainly discusses the acceptance of Su Shi in the poetics of the Ming Dynasty,which can be summarized as follows:the acceptance of Su Shi as the literati image,the acceptance of the official image and the acceptance of the modest teacher and friend image.Su Shi,as an image of literati in the poetics,is a rich and humorous scholar;as a statesman,Su Shi is also a fighter who cares about the plight of the people,but has been repeatedly slanderous;As a scholar and a teacher,Su Shi is a humble gentleman who is an open-minded and modest gentlemen.The third chapter mainly discusses the acceptance of Su Shi's poems in the poetics,including the ideal form of Su Shi,s poems s Su S1i,s;Hetao Poems”and the characteristics of Ming Dynasty poetry reception activity reflected by Su Shi's acceptance of poetry.The ideal fonns of Su Shi's poems in the poetics of Ming Dynasty are as follows:excellent argumentative poems and philosophical poems;poems that have no trace of carving by metaphorical neans;poems that have excellent allusions and rhynes.The evaluation of Su Shi's;-Hetao Poems,in poetics is based on the similarity between Su Shi and Tao Yuan ning,s poems.Individual critics have realized that Su Shi's poems are "self-determination",which should not be evaluated simply as if they vere similar to and not similar to Tao Yuan ming's poens.From the two sections of this chapter we can summarize characteristics of the acceptance of Ming Dynasty poetry as follows:the diversity of reception activities behind the mainstream discourse;The breakthrough of "learning from yourself" under the banner of "learning from ancients" and the ebullient acceptance of "secularization tendencyy and specific creative techniques in poetry.The fourth chapter mainly discusses the acceptance of Su Shi's literature theory by poetics,and the concrete connotation that the poetics of Ming Dynasty bring up Su Shi and poets of Tang and So1g.The literary theories of Su Shi,which are favored by critics in poetics,mainly include:"the theory of purport","the theory of withering"and "the theory of relation between author and the work".When the poetics talk about Su Shi and each other in Tang Dynasty,they often point out the relationship between Su Shi and Tang Dynasty poets,and make clear the position of Su Shi in the literary history.When the poetics talk about Su Shi and each other in Song Dynasty,it is the affirmation of Su Shi's position in the poetry history of Song Dynasty from the horizontal aspect.In addition,when Su Shi and Huang Tingjian are mentioned in poetics,They are usually compared in pros and cons;similarities and differences.It can be found that the literary circles of the Ming Dynasty are full of receptive enthusiasm for Su Shi from the perspective of his characteristics,his xvorks,the acceptance of his views on literature and the discussion of the relationship between Su Shi and everyone in the Tang Dynasty,as well as the discussion of the relationship between Su Shi and everyone in the Song Dynasty.Ming Dynasty was not the decline period of Su Shi's acceptance,on the contrary,it was a development period of Su Shi's acceptance.