On The Acceptance To Hua Jian Ci In The Ming Dynasty

The Hua jian Ci refers to the 500 words of the 18 poets included in “Huajian Ji”and is hailed as “the ancestor of the Chinese lyrics”.Since the day of its creation,it has attracted the attention of literary men of all ages.The Ming Dynasty was one of the climaxes periods of the acceptance of HuaJian Ci.This article tries to make an in-depth analys of the reception of the Hua Jian Ci in the Ming Dynasty from the four aspects of the CiXuan,Ci Pu,Ci Hua,He Ci in Ming Dynasty,objectively and comprehensively unfolds the existence and value of the Hua Jian Ci in the Ming Dynasty,then sums up the characteristics of the Hua Jian Ci accepted in the Ming Dynasty.This article consists of an introduction,six chapters of the text,and an epilogue consisting of three parts.The introduction part introduces the research significance,research status,research methods and innovation of this paper.The first chapter of the text discusses the Hua Jian Ci and their brief acceptance before the Ming Dynasty,divided into three sections.The first section introduces the basic features such as the background,function,content and artistic features of the generation of the HuaJianCi.The second section describes the overall acceptance of Huajian Ci in the Song and Yuan Dynasties.It mainly focuses on Ci Xuan,Ci Hua and genre creation.The third section,based on the history of the development of Mingci,analyzes the whole acceptance process of HuaJianCi in the Ming Dynasty.The second chapter is about the reception of HuaJianCi in Ming Dynasty,which is divided into five sections.From Yang Shen’s Word Lin Wan Xun,One Hundred Pearls of Pearl,Chen Yaowen’s Cultivated Flowers and Grass Celebrations,Shen Jifei’s Cottage Poetry Four Episodes,Zhuo Renyue’s Ancient and Modern Term Reunification and other Ming Dynasty Ci selections.Statistical analysis of the selection of the HuaJianCi in each Ci Xuan of the Ming dynasty,and the analysis of the themes,numbers,and contents of the Ci Xuan received by the lexical items,reflecting the acceptance of the HuanJianCi at different periods and the atmosphere of the genre at that time,and the prevailing atmosphere of Ci poetry at that time.The third chapter is the study of the HuaJianCi in Ming Dynasty’s Ci Pu,which is divided into four sections.This paper makes a statistical analysis of the Zhang Yan’s Shi Yu Tu Pu,Xu Shi zeng’s Ci Ti Ming Bian,Xie Tianrui’s Shi Yu Tu Pu Bu Yi,and Mao Jin’s Ci Hai Ping Lin,and analyzes the acceptance of the Ci Pu in the Ming Dynasty from the aspects of the Ci tone and the number.The fourth chapter is the study of the Hua Jian Ci in Ming Dynasty vocabulary,divided into three sections.The first section is the study of the Hua Jian Ci in the Ci m Hua onographs of the Ming Dynasty.From Chen Ting’s Zhu Shan Tang Ci Hua,Yang Shen’s Ci Pin,Wang Shizhen’s Yi Yuan Zhi Yan”,Yu Yan Yuan Yuan Ci Hua,this part discusses their comments and attitudes towards the Hua Jian Ci.The second section is the study of the Huan Jian Ci in the other Ci Hua of the Ming Dynasty.It extracts the most representative Ci Hua from the Whole Phrase of the Ming Dynasty,and analyses it,sums up the attention of the words to the HuaJianCi,and then analyzes the attitude of the Ci theorists to the HuaJianCi.The third section is Tang Xianzu’s commentary on the Hua Jian Ci.By analyzing the content of Tang Xianzu’s commentary on Huajian Ci,we summed up his ideological tendency and his attitude towards Huajian Ci.The fifth chapter is the study of the HuaJianCi in the Ming Dynasty’s He Ci,which is divided into three sections.The first section of the study of Fan Wenguang’s Xu Hua Jian Ci,combined with the words,and from the number,contents and other aspects to analyze the pursuit of the Hua Jian Ci.The second section studies Zhang Qi’s He Hua Jian Ci,combined with the words,and compared with the original of the Hua Jian Ci,from the number,object and the content of emotion to analyze the situation of Zhang Qi.The third section studies the others He Ci of Ming Dynasty.From the Quan Ming Ci and Quan Ming supplement,the subtitles are compiled to clearly mark the Ci of chasing and floral words,and the inheritance and development of the Ci are analyzed from the number,content of the Ci and so on.The sixth chapter summarizes the characteristics of the acceptance of Hua Jian Ci in the Ming Dynasty,divided into three sections.The first section is from the cold to the attention,summing up the changes in the overall attitude of the Ming dynasty to the Hua Jian Ci.The second section is to esteem the Wen Wei and the public,and summarize the acceptance of the Ming dynasty from the recipients.The third section is the popular pursuit of erotic Ci.Combined with the development background of Ci Poetry in Ming Dynasty,it sums up the praise of the Ming Dynasty on the erotic Ci.The three appendices are the classification tables for the content of flowers,the list of the Hua Jian Ci is selected in the Ci Xuan,the list of the Hua Jian Ci in the Quan Ming Ci and the the Supplement of Quan Ming Ci.