Research On The Twisting Trend Of Chinese Classical Dance Under The Relationship Between Virtuality And Reality

Since its establishment,Chinese classical dance has been searching for its national aesthetic and spiritual core.As a pair of philosophical categories,the relationship between the real and the imaginary is deeply reflected in the national aesthetic characteristics of Chinese classical dance.As one of the most important emfs in Chinese classical dance,"twist and tilt" emfs contain rich aesthetic meaning of unity of body.Therefore,in the first chapter,this paper analyzes the relationship between the imaginary and real by expounding the two pairs of opposite and unified aesthetic categories of "imaginary and real",the aesthetic status of twisting and tilting momentum in Chinese classical dance,and by entering into the elements of the dance itself--time,space and force.At last,after each section of the first chapter,the author's practice class is used to illustrate the twisting trend of Chinese classical dance under the relationship between reality and fiction.In the second chapter,it mainly describes the author's humanistic concern for the twisting trend in Chinese classical dance,and it is also the author's personal understanding of the relationship between the false and the real,the twisting trend and the aesthetic connotation of Chinese classical dance.Based on the above two chapters,this paper promotes the deepening of the aesthetic connotation and the construction of the theory of Chinese classical dance,and realizes the continuous improvement and pursuit of the national aesthetic of Chinese classical dance.