Explore The Dancer's "root Of Mind" Practice In Dance Performances

In the dance performance,the actor as the main body of the performance carries the expression of the ideological connotation of the work.From the perspective of the dance performance,this paper focuses on the inner emotional change and the retention of the internal strength of the actor,and explores the importance of his " Faculty of Mind " cultivation in the performance of the work.This paper analyzes and compares the commonness in the expression of the works through the internal cultivation of the subject " Faculty of Mind ",in order to follow the cultivation principle of " Faculty of Mind " to interpret the dance works and achieve the performer's perception of the body.The dancer's grasp of the " Faculty of Mind " is directly related to the texture of the works,and plays an important role in the characterization,emotional expression and artistic conception.This paper takes the performance practice of "Chum-Bon ?"(the work created by Professor Kim Mae Ja(1)in 1987)as an example.The work contains the cultural connotation and aura of the Korean traditional dance,that is,the huge energy emitted by " Faculty of Mind ",and also tests the dancers' Cultivation of the inner meaning.