The Exploration And Practice Of Freehand Figure Painting With Bai Kuyao Theme

The artistic creation of Ethnic Themes plays a very important role in the history of modern Chinese painting.Ethnic theme painting has the characteristics of ethnic and times.The unique ethnic life scene and cultural elements are the inexhaustible source of art in contemporary painting.With the development of human history and the integration of ethnic culture,Baiku Yao has always maintained its unique culture.This paper takes Baiku Yao's freehand figure painting as the research object,through the investigation of the ethnic culture and regional characteristics of Nandan and Lihu Baiku Yao areas,explores the formal language of Baiku Yao's freehand figure painting,and discusses the creation practice of Baiku Yao's freehand figure painting.The paper is divided into three parts:the first part is a brief overview of the basic situation of Baiku Yao and its ethnic cultural characteristics and connotation;the second part is a case study of the freehand figure paintings on Baiku Yao by contemporary painters,and a specific analysis of the research results and experience value of the artistic creation on Ethnic Themes in the form of ink and wash "freehand";the third part is a combination of my own creation Practice,to further explore the form and practical significance of national theme art creation,which is also the focus of this article.Through the analysis,this paper aims to further clarify the method and thinking of exploring the ethnic characteristics and contemporariness in the formal language and cultural connotation in the creation process of the freehand figure painting on the theme of Baiku Yao.