Rebirth And Redemption: A Study On The Endogenous Motive Force Of The Narrative Metaphors In Miao And Yao Huang Family Ballads

Since the rise of the study of Chinese popular literature in the 1920s,there has been a boom in the study of precious volumes.In recent years,the study of Woman Huang Baojuan has also emerged in an endless stream in academia.Based on the interest in this kind of story,the author found that the story of Woman huang has a wide influence in the folk.They are vividly deduced in the form of text transmission and live singing in different nationalities and endure for a long time.Because of their unique narrative layout,Miao's "Woman Huang Song" and Yao's "Woman Huang Ancient Records”have their own characteristics in the jungle of many versions of Woman Huang Stories.They inherit the basic framework of traditional Woman Huang Stories,but they have some additions,deletions and emphases in narrative strategies.Moreover,they are both folk narrative ballads and have the stylistic features of oral literary works,so they contain the unique narrative metaphor.This paper is divided into six parts.The introduction mainly introduces the reasons for choosing the topic,the domestic and foreign relevant research status,the selection and innovation of the topic,and the theory and method to be adopted.The main part is divided into four chapters.The first chapter,firstly draws out the"multi-ethnic Woman Huang' story" based on the collected literature,and sorts out the stories of Woman Huang from different nationalities,different carriers and different versions,so as to make an overview of the complicated forms of woman Huang's tales.Secondly draws the plot structure of multi-ethnic Woman Huang stories by means of the morphological and synchronic type comparison method,and then compares them with other genres from the perspective of folk song narration,and points out the uniqueness of Miao and Yao's Woman Huang songs in the multi-ethnic Huang's female story in terms of plot structure and artistic value.The second chapter,makes an in-depth analysis of the narrative characteristics of miao and yao Woman huang ballads with the help of narrative theory and method,analyzes the weaving effect of narrative time and space on the process of ballad stories,and interprets the driving effect of narrative grammar on the formation of deep meaning of the stories,thus shifting the focus of text research from form comparison to meaning construction.The third chapter analyzes the narrative metaphors at the level of the theme according to the narrative features of Miao and Yao's Woman Huang ballads.Through the association of relevant religious philosophical knowledge and the combing of the text structure,the songs are related to the "Diamond Sutra" faith and cultivation are the religious ethical significance of the narrative core,as well as the exploration and interpretation of the gender jurisdiction encountered by women in the Buddha,so as to understand the value orientation of the song creation and communication groups and the acceptance psychology of the folk believers.The fourth chapter analyzes the endogenous motivation that promotes the narrative metaphor of ballads.Firstly,it defines the academic nature of the term "endogenous power".Next,from the two levels of motivation,the main reasons for promoting the narrative metaphors of Miao and Yao Woman Huang ballads are discussed:First,the power of reincarnation.The individual's natural life is fleeting under the irreversible linear time,and when the traditional living spirit and the regenerative ideal are surging in the human heart,the concept of reversibility of reincarnation time can obtain the immortality of the soul through the rotation of the physical life of Woman Huang,thereby neutralizing and saving the life system from the perspective of subjective experience;Secondly,belief in the power of redemption.This paper studies the relationship between ancient folk women and religion from the perspective of the value and significance of the cultivation of virtue and female Buddha hood.From the three aspects of identity,psychology and social order,the author discusses how ancient women represented by Women Huang could obtain self-salvation in the feudal age when their rights were controlled.The conclusion is the last part.In the second and third chapters of this paper,we study the narrative features of Miao and Yao Woman Huang ballads,grasp the structure of the works and analyze the narrative events,we realize that the narrative metaphor centering on the cultivation of virtue and female Buddha hood runs through the whole process of the discourse construction of Woman huang ballads.Any story has its inherent logic,existence basis and cultural implication in the process of creation and compilation.In the last chapter,from the perspective of procedure,the practice of perfection and female Buddha hood is a narrative procedure and internal structure in Miao and Yao Woman Huang ballads.Taking the reincarnation of Woman Huang as the overall framework,it reflects the continuity of the concept of reincarnation and retains the practical significance of the endless circulation of life in the concept of reincarnation.From the aspect of the subject,the narrative metaphor of religious ethics and gender restriction behind the cultivation of goodness and female Buddha hood reflects the realistic significance of women's purification and redemption in religion.