Research On Miao Ballads Of Guangxi

Rongshui Miao ballads are ballads on behalf of Guangxi, is also an importantpart of the overall Miao ballads. Over the years, the music of studies about Miaoballads got enough attention, the literary and cultural studies about Miao ballads areyet to be developed. The author, after combing the overall Miao ballads, found the"song"and "Ballad" hybrid concept, different opinions ballads on origin andclassification of ballads,"Elegance" and "vulgar" intense controversial phenomenon.Rongshui Miao ballads followed by specific text as a case study, explores the possiblethree major fields of Rongshui Miao ballads.The first field is Rongshui Miao poetic ballads questions, to Miao balladsbroadly classified into sequence of ancient Hmong songs, rituals ballads, love balladsand marriage ballads and other types of poetics issues were discussed: AncientHmong songs, under the premise of its "name", the relationship with the epic, myth,legends reflect the value of its epic, its grand narrative and explanatory frameworklooking to form a narrative structures and narrative ethics is different from thewestern, and have the Narrative feature of cultural expression; In the world of ritualssong, is full of worship awareness on Miao people including the nature worship,totem worship, ancestor worship,funeral song implies exterior and interior relationswith "soul"concept,wedding ballads, welcoming ballads and wine ceremony balladsexpressed the Rongshui Miao people’s folk customs; In the world of love ballads andmarriage ballads, love ballads of Rongshui Miao ballads got rid of lower status in thehistory, has its own artistic characteristics, marriage songs of Rongshui Miao balladsdon’t inseparable the marriage of reform process freedom and arranged marriages aretwo types of marriage created a different tone marriage ballads, For example,underthe influence of arranged marriages the Wedding Lament, fleeing forced marriagesballads full of tragic features; including labor ballads,political ballads, buried rockword, the history of the legendary ballads filled with other types, full of life Aesthetic,ballads namely the aesthetic life of fragmented precisely constitutes the Miao people’s"literary life."The second field is Rongshui Miao ballads and ethnic problems in writing.Rongshui Miao and location adjacent to Southeast Guizhou region, combined with meltwater from the Miao migrated to settle in the long history of the nation, the Miaoballads have also been inherited and development.It is its relationship with othernations in the migration process, triggered a deep sense of cultural nostalgia andreflected in the ballads, the formation of the nation’s culture. Meanwhile, the internalmembers of Rongshui Miao ethnic identity and ethnic boundaries changing,ownership and self-identity and cultural identification in the ballads are presented.Inaddition to Rongshui Miao ballads, for example, can reflect the development in otherballads on China Miao people and cultural identity resulting.The third field is to explore the cultural attribute of Rongshui Miao ballads.InRongshui Miao ballads on the fireplace, Lusheng, costumes of the Miao, Miao namescharacteristics,"according to the typical straight"typical cultural images to highlightits relationship with the Chinese artistic spirit. Rongshui Miao as a microcosm of theworld, already considerable as ballads world and cultural world Chinese in other Miaopeople, but also in comparison with the Miao culture overseas China of theinheritance and change of the Miao nationality culture, this is the connotation ofRongshui Miao ballads included in the world cultural.Meanwhile, the inherentlimitations of Miao ballads make it appear the ethnography of "incomplete", but withthe characteristics of mountain culture feelings, formed the mountain culture.Finally, extended from Rongshui Miao ballads to the overall study ballads, putsforward the idea of ecological research in the song study. It is mainly for the statuballads s is not high status and misunderstanding, combined with the representativefigures and their speech in the songs Movement, summed up the discourse changes ofsongs about the methodology and research levels tend to level. Although balladmovement has passed nearly a century, but at the time ballads research methods onbut continues to the present day.This is a far-reaching impact on future researchballads. Research on the ecological theory ballad "big cultural concept", according tothe changes advocated songs context and theoretical research to conduct futureballads should not be limited to certain research methods and some remarks, theformation of large cultural patterns in the future of ballads research.