The Study And Application Of The Common Formal Language Between Su Shi's Ci And The Song Dynasty "Ye Yi" Paintings

This Literature and painting,as the outstanding embodiment of the spirit of traditional Chinese art,fuse with each other due to their different art categories and their common features,which is also a long integration process.Su shi's ci and the song dynasty courtyard style "Ye Yi" painting belong to these two art categories respectively.Ci originated from the tang dynasty and flourished in the song dynasty.Su shi's ci is a bold and unrestrained school in the open category of ci,which has left a profound influence on the history of Chinese literature.Cui bai,a body painter in the song dynasty,inherited the painting style of "Ye Yi" from xu xi,broke the painting style of "royal wealth" in the song dynasty,and made it appear the style trend of "Ye Yi" and had a place in the painting world.This paper takes the common form language of Su Shi's ci and Song Dynasty's Yuan style "Ye Yi" painting as the main research content,from the macroscopic angle of Song Dynasty's aesthetic thought theory as the starting point,finds out the commonality between Su Shi's ci and Song Dynasty Yuan style "Ye Yi" painting's aesthetic thought theory and creative practice.Combining the common aesthetic thought theory "tan","simplification" and "truth" of the two with the artistic expression and artistic technique of the formal practice creative language and applying it to the author's creation,providing aesthetic theoretical basis and practice for contemporary painting creation Operational practices.The article is divided into four parts: the first part,taking the aesthetic thought theory "rhyme" as the breakthrough point,finds out the common aesthetic thought theory with "Yi Pin" in painting,and concludes that Su Shi's ci and Song Dynasty Yuan style "Ye Yi" painting have commonality in aesthetic thought theory,its commonality includes "tan "," simplification" and " truth ".In the second part,the author studies the commonality between Su Shi's ci and the practice of "Ye Yi" painting in the Yuan style of Song Dynasty.In the third part,the author applies the formal language of su shi's ci and the "Ye Yi" painting aesthetic thought theory and creation practice in the song dynasty to the author's painting creation practice to guide the design work.The fourth part summarizes the role and significance of ci-painting combination in contemporary painting creation.Through the above research,the purpose is to introduce the aesthetic thought theory and creation practice Shared by su shi's ci and the "Ye Yi" painting in the song dynasty into the contemporary painting creation,to supplement the thinking mode of contemporary painting creation,and I hope the research results can bring further help to the contemporary painting creation.