Research On The Characteristics And Value Of Japanese Social Issue Dramas In The New Century

In the new century,most of the TV dramas that reflect social problems in China have not yet explored the real direction,and many shortcomings have been exposed in the creation process.Japan,by contrast,is good at writing dramas about social issues.According to the current research results,there is no exact concept to define these dramas that reflect social problems,and the concept of "Social Problems play" still remains in the definition of the drama of Ibsen,the founder of realistic drama.Therefore,this concept and its characteristics are firstly updated and improved as the foundation,so as to distinguish it from the concept of "realistic theme" to avoid confusion,and lay a foundation for the subsequent exploration of Japanese social problem dramas.By means of literature analysis,content analysis,quantitative analysis and other research methods,this paper takes Japanese social problem dramas after2000 as the main body of research,defines the concept of social problem dramas and summarizes the development context of Japanese social problem dramas,and constructs a basic information network.Combined with feminist theory,mirror theory and so on to comb and analyze the construction of its characteristic system.Through the study of Japan's humanities and social environment,from the perspective of the relationship between "man" and "drama",the author summarizes that the social environment,the creator's criticism of the society and the audience's demand for it are the three major factors for the emergence of Japanese social drama in the new century.Finally,based on the ontology of Japanese drama,this paper studies its impact and value on individuals,the social environment and some film and television industries,hoping to provide some reference value for the creation of Chinese drama with social problems.