A Comparative Study Of Landscape Painting Between Lu Yanshao And Li Keran

In the development process of modern Chinese landscape painting,Lu Yanshao's and Li Keran's landscape painting works occupy a very important position and have a great influence on the creation of modern and contemporary landscape painting.Although their creative style and aesthetic orientation are different,they have made outstanding contributions to the development of landscape painting in their respective fields,and their extraordinary artistic achievements are admired by later generations.They all attach great importance to the exploration and innovation of the artistic language of landscape painting,especially the creation of the artistic conception of landscape painting.They attach great importance to the creation of the environment based on the heart,combine the traditional Chinese landscape painting with the aesthetic requirements of the times,keep up with the pace of the development of the times,organically unify the individual's understanding of tradition and life,and create a unique style in landscape painting“ Li family style and Lu family style expand the expression space of traditional landscape painting and make outstanding contribution to the modern transformation of traditional landscape painting.This paper takes the comparison between Lu Yanshao and Li Keran as the main research content.The first chapter mainly expounds the general situation,formation,development and other main characteristics of landscape painting,as well as the similarities and differences between Lu Yanshao and Li Keran's ancient and innovative ideas.The second chapter analyzes the different evolution of Li's landscape painting from the perspective of environment,and expounds the relationship between Lu Yanshao and Li Keran's landscape painting and its aesthetic significance.The third chapter analyzes the lyric features,painting techniques and specific painting environments,the structure and modeling features of brush and stone,the application of cloud water,light and ink techniques,the style and modeling features of brush and ink from the comparison between Lu Yanshao's and Li Keran's landscape paintings,and explains their concept of landscape creation in detail,as well as the methods of landscape painting by Lu Yanshao and Li Keran In the process of formation,the relationship between aesthetics and landscape creation is interpreted through the space-time concepts of "viewing the small with the big" and "viewing the big with the small",which fully highlights the difference between the landscape creation styles of Lu Yanshao and Li Keran.The fourth chapter mainly elaborated "south land north Li" landscape painting creation environment to the contemporary landscape painting creation inspiration as well as to the later generation influence.Based on the analysis of the formation of landscape painting by Lu Yanshao and Li Keran,this paper compares the artistic conception and ink language of different subjects,interprets the unique aesthetic concept of the two landscape paintings,and further clarifies the importance of artistic conception in landscape paintings.By analyzing the reasons for the formation of their artistic conception of landscape painting,finding the root of their artistic conception of landscape painting,digging into the aesthetic significance of the formation of "Jing" and "Jing" in Lu Yanshao's and Li Keran's landscape paintings.and analyzing the different aesthetic concepts and different realms reflected in Lu Yanshao's and Li Keran's landscape paintings,this paper points out that Lu Yanshao's and Li Keran's creative spirit has an impact on contemporary art The important value and reference significance of artistic creation and research.