Like Xingyeshan, The Layers Are Deep

In Chinese modern landscape painting history,Huang Binhong's work undoubtly is the envy of a peak.He is not only a landscape painter who is at the core of the art circles as a creative artist,but also dedicate himself to the study and perfection of the painting theory and history.In addition to the great success he has achieved in landscape painting and the theory,he is also expert in flower-and-bird painting,philology,epigraphy,interpretation of ancient seals,appreciation of cultural relics,comment on calligraphy and painting,and poetry and ode and so on,which lead him to an extraordinary level.In the field of landscape painting,Mr.Huang gathers the essence of traditional technique and tend to be well versed in it.Searching for the changes and transformations of the nature,taking a self-examination and having great courage to explore the truth,eventually,he formed an unusual style of �dark,dense,thick,heavy �in his later life and an aesthetic conception of �the towering mountains,the lush vegetation �?He holds the opinion of "civilian doctrine " as well as �the painting of scholar-bureaucrat�,and raises the theory called �Five brushes and seven ink�and puts it into practice?In addition,he puts forward the conception named �Interior Aesthetic�too.As is vividly depicted in the article,I try to start with Huang Binhong's landscape painting of �Such as night mountain,Layers of deep�?Then consulting Mr.Huang's letters,notes on literature and art and painting quotations and combined with my research and learning practice,I can talk about the features,the causes,the technique of expression and the artistic conception to provide information for the style of Mr.Huang's landscape painting and the aesthetic of quietness,internal beauty,magnificence,and lushness.Besides,Mr.Huang's achievements can help our career to transform into maturity and bring inspiration for the later learners who devote themselves to the painting.