Research On Li Boyan's Chinese Ink Figure Painting "Out Of Bayan Har"

The significance of the artist is reflected in his creations.After the death of Li Boan in 1998,the "Li Bo'an Legacy Exhibition" in 1999 began to tour the country with the help of many friends and family and 146 painters from all over the country.Because Li Boan didn't ask for the knowledge when he was alive,although it was a work of extraordinary height,it was gradually heard and shocked at this time.In particular,the 100-meter long scroll "Out of Bayan Hara",a Chinese painting artwork that consumed Li Bo'an's flesh and blood life and soul in the last ten years,is shocking for the strength and spirit conveyed by the author.This work is not only a tribute to the spirit of the Chinese nation,but also allows us to appreciate the author's love and touch for art and the people beyond life.There are many memoirs written by relatives and friends for the existing literature,but more are for the analysis and interpretation of his works,and there are few papers that comprehensively analyze Li Boan's overall experience,life,spirit,and creation.Starting from studying the meaning and responsibility of Li Bo'an's artistic life,exploring the enlightenment of his artistic language and spirit."Going Out of Bayan Kera" began to depict along the way of the origin of the Yellow River,which represents the Chinese civilization.However,the painter quietly left us in the tenth year of the work,and the long scroll came to an abrupt halt at the completion of 121.5 meters.The tenth part of "Future Road",which is still in the future,has become an eternal regret in the history of art.Li Boan extracted the prototype of creation from his life,and after absorbing and absorbing the flash points of Western culture,he innovated the tradition and formed his own painting style and artistic expression form.The painting language form that best represents the face and spirit of the Tibetan people and the painter's deep perception of the Chinese national spirit have shocked the world deeply.This article is structurally divided into four chapters: The first chapter starts with Li Boan's artistic life and divides his period of art struggle into early,middle and late stages,each stage is exactly ten years.Comprehensive analysis of each stage of society,life experience and works at this stage,try to grasp the artistic characteristics and formation reasons of each stage of works as a whole.The second chapter analyzes and discusses Li Bo'an's artistic aesthetic conception,taking Li Bo'an's works to convey the national spirit and his personal emotion as the main object of discussion,so as to analyze his artistic spirit.The third chapter discusses Li Baoan's "Going Out of Bayan Kera" in terms of modeling,pen-and-ink,and other forms of graphic language,and studies the painting language in which he changed his conception in different periods and produced pen-and-ink changes.The last part summarizes the inspiration of Li Boan's art and its impact on the author's graduation creation.Li Bo'an's ink figure painting is a fusion of oil paintings,prints,sculptures,and other painting forms and advantages,making his artistic style more shocking and appealing.This innovative approach has increased the height of contemporary ink figure paintings,and put forward higher requirements for our future artistic creation.His figure paintings are the pioneers of traditional Chinese ink figure paintings.This innovative and tenacious spirit indicates the existence of lamps,and the spiritual power conveyed by his works always inspires us.