Differences And Changes Of Ink And Wash Under Watermark Woodcut Technology

Chinese watermark print has a wide selection of painting objects.Through the process of painting,engraving and printing,the transformation from objects to paintings can be realized.In the process of this transformation,each step requires us to experiment many times and study carefully and cautiously.At the same time,painters are also required to devote themselves to the nature,so-called "creation by external teachers",and to combine their own creative experience and subjective creation,so-called "winning the heart".Ink is an important painting language in water plate painting.Water and ink color complement each other and are inseparable.Ink without water has no legs,can't walk,can't breathe,can't have lungs;water without ink is invisible,has no sense of picture,and has no expression of language.Therefore,ink language is formed by the interaction between water and ink.Watermark woodcut is an important part of Chinese traditional art.The content of the picture is expressed by the ink language and the content of the picture composition.The ink language is also the ink language.Huang Binhong's "Taiji strokes" put forward: "five strokes are one stroke,pen and pen are born,seven inks are black and white,and virtual and real are born." therefore,no matter what kind of painting,the strokes and ink methods are There are important positions in the pictures.The change of ink language results in rich changes in the effect of the picture,and at the same time,it has certain uncontrollability.The ink language is also affected by different painting materials and printing methods.In this paper,watermark woodcut technology under the ink differences and changes as the research object,a comprehensive analysis and interpretation.This paper is mainly divided into five chapters: the first chapter briefly introduces the history and artistic characteristics of watermark print,combs out the related concept definition of the research topic and the origin of watermark print development.The second chapter is the core of this paper,through watermark woodcut and Chinese painting in the use of ink produced different effects compared.From the four aspects of material,ink,moisture and visual effect,this paper expounds the differences between watermark print and Chinese painting in the use of ink.Then it describes the different changes of watermark print and Chinese painting in the use of ink,such as wandering,infiltration,affected by the scores and pen marks,halo dye,and affected by the wood grain.The third chapter is a comparative study of different artistic languages of watermark print and Japanese ukiyo.Under the mutual influence of the two,there are still different artistic languages,mainly from two major directions of cultural background and national preference.The fourth chapter describes the influence of Western art on the realistic art and image concept of watermark woodcut.The fifth chapter selectively applies the theoretical knowledge of the differences and changes of ink and wash under the watermark woodcut technology to their own creation,and combines the current national events to create,at the same time,reflects on the problems of the work and how to improve in the future.