A Summary Of "Baizhuge" By Yuefu

Guo Maoqian's Yuefu poetry collection includes 54 "Baizhu Songs",which account for about 30% of the "miscellaneous dance" songs,which account for a large proportion and should be paid attention to.In recent years,many researches have been made in the study of "Baizhu Song",but most of them are limited to the reproduction of "Baizhu" dance,and there are few related literature studies.This paper mainly takes Yuefu's "Baizhu Song" as the research object,and combines music,dance,literature and other backgrounds to comprehensively study the origin,changes,themes and art forms of "Baizhu Song".The thesis consists of introduction,main body(three chapters)and conclusion.The first chapter,"Baizhu",includes three parts: "Baizhu","Baizhu Dance",and "Baizhu Song"."Baizhu Song" was named after the "Baizhu" clothes.It was first picked into the palace by Sun Hao,and later developed into a mature style of Yuefu poetry.Then it discusses the connection between "Baizhu Song" as dance song and dance.By analyzing the origin and dance form of "Baizhu Dance",the relationship between dance and poetry is clarified."Baizhu Song" was widely sung after the Jin Dynasty and produced a large number of essays,which largely originated from the court literary attributes of "Baizhu Song",but the court culture embodied was not static,and it was in line with the dynasty politics and peace of the era.Social ethos.In addition,"Baizhu Song" was born and flourished in Wu.It also has a certain relationship with the local culture,which is mainly reflected in the Wu people's bird worship and culture.The second chapter mainly discusses the origin and development of "Baizhu Song",which is divided into the period of the Wei and Jin dynasties,the development of the Northern and Southern Dynasties,and the period of independence of the Sui and Tang dynasties.Wei and jin dynasty was the rising stage of "Baizhu Song",but the earliest surviving "Baizhu Song" was "Jin Baizhu Dance Song Poems".During this period,the gradual improvement of the music institution and the formation of the dance in the society were all promoted.An important factor in the development of "Baizhu Song",its folk simplicity and innocent style brought a new breath to court music and dance.It was not only deeply loved by the ruling class and aristocrats at that time,but also had a high literary value.The Southern Dynasty is the climax of the development history of Chinese music and dance.The "Baizhu Song" has achieved great development,and there are more than 30 "White Song" in existence.The most distinctive manifestation of "Baizhu Song" in this period is that it has both elegant music and vulgar music.On the other hand,under the background of the development of Palace style Poems,"Baizhu Song" gradually became the representative of "Love Poems".The Sui and Tang dynasties were the independent stage of "Baizhu Song".The rise of Yan Yue in the Sui Dynasty had a great impact on "Baizhu Song",and it also stimulated "Baizhu Song" to break away from music and dance and become an independent literary form.The main performance is that the content of poetry is no longer confined to the old Yuefu title,and it has begun to become a means of literary lyricism,which strengthens the irony.In the middle and late Tang dynasty,the Yuefu style "Baizhu Song" began to die out,and at the same time the style "Baizhu Ci" was produced.The third chapter discusses the theme and poetic form of "Baizhu Song".First of all,it discusses the reversion and change of the theme of "Baizhu Song",praising the dancers and enjoying life in time.The change mainly focuses on the lyrical nature of the poem,which is manifested as best hatred and allegory,especially the increase of the ruling class composition.It breaks away from the inherent rich and extravagant style,and at the same time has an impact on the theme of future generations of "Baizhu Song",which is of great significance.Then it discusses the poetic form of "Baizhu Song".The"Baizhu Song" in the Six Dynasties used rhyme,which is a seven-character ancient style,and has a certain relationship with Bai Liang and seven words style.Then it further explores other poetic forms of "Baizhu Song,such as rhyme,sound and tone,and flatness.Finally,a special section is researched on the famous artist,focusing on the relationship between Li Bai and Bao Zhao.In short,the special research on "Baizhu Song" can not only clearly understand the literary value of "Baizhu Song",but also clarify the stage development of yuefu poetry before the Tang Dynasty,and lay the foundation for exploring the evolution of song of baizhu in yuefu to ci and qu.