A Political Aesthetic Study Of The Red Worship In The Early Twentieth Century

The Chinese people's mentality of respecting red has existed since ancient times.However,since modern times,people's preference for red has reached a new height.This thesis selects the early 20 th century,when the Communist Party of China was just founded,and puts "red" on the turning point of deepening significance,aiming to explore the political aesthetic connotation behind the phenomenon.This thesis discusses from three parts: the shaping of the image of the Communist Party of China,the packaging of ideology and the decentralization of ideology.The first part analyzes the reasons why the Communist Party of China chooses red to shape its image from three aspects.First of all,the ancients' adoration of the sun that gave birth to all life,the fire that made the ancestors enter the era of civilization,and the blood with magical magic made the red adoration have a profound psychological basis.Secondly,starting from two comparisons,it is proved that red is the best way to shape the image of the Communist Party of China.One is to explain the different past conditions of red,which is also glorious in China and abroad.The Chinese people's choice of red is the initiative,which is the result of the ancient simple philosophy.The other is to compare yellow with red.Although the former was able to compete with it in ancient times,but because of the deep-rooted feudal meaning of its symbol and the vulgarization of its connotation after modern times,the advantages of red meaning innovation are highlighted,so it is inevitable to abandon yellow and choose red.When the symbol,analogy and even the thought of Bede make the abstract transformation possible,the Communist Party of China has realized the transformation from political power to aesthetic meaning through red,based on the national conditions and under the guise of foreign culture.The second part discusses the ideological packaging of red in theory and practice.On the theoretical level,there are many similarities between the revolutionary ideal created by Marxism and the yearning for equal society and the pursuit of life value in the pre-Qin classics.It places the Communist Party of China,the state and the people in the interests of the common body,and inspires people's stormy emotions.War is bloody politics.The fearlessness,sacrifice and selflessness of red symbols inspire people to devote themselves to revolutionary practice.The third part expounds how ideology uses red symbols to scatter in daily lifeand integrate power into emotion.It is mainly discussed in four ways: the red drama is close to life,pushing love and hate to the extreme with typical characters and scenes;the red song makes the Communist Party of China and the people reach a consensus with the sharing of aesthetic customs,innovatively adds the color aesthetic,and establishes the people's emotional field and social relationship;the red slogan enters the people's unconscious self-depth by means of repeated rendering Layer area,become the hidden motivation of behavior;red posters give full play to the visual advantages of red,directly touch the hearts of the people.When red slogans are written on the walls,red posters are drawn,red songs are hummed in the mouth,and the scenes in the red drama are flashed in the mind,this color has been deeply rooted in the hearts of the people,forming an unshakable preference and becoming the pulse of politics.