Jinnong's Calligraphy Study

Jin Nong's calligraphy is famous for Official Script,and lacquer works are also widely spread.Jin Nong also left a lot of works of ruler,mostly in cursive form.According to the different writing time of letter-writing,Jin Nong's letter-writing are divided into three periods: early,middle,and late,respectively corresponding to the three periods of early accumulation,return from northward,and failure to enter the government.The artistic characteristics of Jin Nong's ruler can be analyzed from three perspectives: brushwork,structure,and rules.In terms of brushwork,Jin Nong integrated the pen script into the running script,using the pen to turn from gentle to heavy,and realized the integration of inscriptions.In terms of knot structure,the character's situation originally turned steadily from left to right and left to right,and the center of gravity shifted to the lower right.In terms of constitution,the characters are independent and the layout is full.The change of Jin Nong's thoughts on calligraphy explained the reasons for the changes in the style of Jin Nong Bank's calligraphy.At first,the tradition of Jin Nong's mastery was unlawful,then he gave up studying the second king,and began to use inscriptions as a learning object,eventually forming a unique quaint and naive writing style.Jin Nong creatively added the elements of Han Bei in the running script,breaking the gap between inscriptions,breaking through the tradition,and merging the two together,reflecting Jin Nong's spirit of change in calligraphy;at the same time,it was also a book in the late Ming and early Qing dynasties.The home no longer sees the signals of the relationship between the tablet and the post in opposition.