| Philip Roth integrates the theme of escapism into novels written over the course of more than twenty years. This thesis examines the portrayal of this idea in five of Roth's novels: The Ghostwriter, The Counterlife, American Pastoral, I Married a Communist and The Human Stain. It looks at how Roth depicts this theme in multiple generations in each of these novels.;The analysis contained in this thesis includes the relationship that both protagonists and secondary characters that opt to evade their identity have with their fathers, or father figures. In virtually every instance these patriarchs exude strength beyond what their circumstance might warrant. This sets a standard that is difficult for those they sire to adhere to. It is this dichotomy that sets the platform for deceit played out by the children.;Finally, Roth showcases the severe turmoil caused by the characters that flee. The ramifications of this chaos are alienation from family, disassociation with identity and cultural history and, the falling apart of family. In all cases those that run leave devastation behind. The results are further discussed to, ultimately, determine whether or not the erosion of identity, which Roth repeatedly returns to, is justified. |
