The Aplication Of The Chinese Opera Characters And Customes In Painting Creation

The indissoluble bond between opera and painting has been passed down from generation to generation.On the one hand,the opera is used as the theme of expression and the elements of opera are integrated into the painting creation;on the other hand,the art of opera has gradually formed its own relatively mature and complete creation system in the long-term breeding,fission and aggregation.The essence of thought is Painting creation has certain enlightening significance.Both the artistic characteristics of Chinese opera and traditional Chinese painting convey the spirit of Chinese style that is vivid and freehand.Opera is a traditional art form in our country,and painting does not stick to tradition and close itself in the creation of opera.Artists of different eras broaden their horizons,think backward,explore and realize traditional opera from contemporary art.The creative connection between culture and contemporary painting art.This article focuses on the application of Chinese opera characters' action images and costumes in painting creation.Using the longitudinal time dimension as a clue,explore the creative transformation of traditional opera art in painting.The first chapter of this article focuses on the creation of Chinese opera and painting.Starting from the category of Chinese opera art itself and the influence of music and dance culture on opera art,we have a deep understanding of the characteristics of opera culture,and dig deep into the intrinsic characteristics and cultural origins of opera art.The second chapter mainly analyzes and researches the action images and costumes of Chinese opera characters.Explore the possible influence of the internal regulation and external performance of the characters' action images and costumes on painting creation.The third chapter analyzes the performance characteristics of modern Chinese opera characters and costumes in painting creation,and analyzes representative artists such as Guan Liang,Lin Fengmian,and Ye Qianyu.The fourth chapter focuses on the expressive characteristics and spiritual connotation presented in the inheritance and innovation of contemporary paintings with opera elements in the context of multiple times,and analyzes the concepts of Liu Yan,Yue Minjun,and Yan Ping in the opera figure paintings convey.The article intends to convey an open,innovative,and tolerant concept through the analysis of opera paintings in different periods.Faced with the re-creation of traditional themes,we should break through the shackles of traditional aesthetic theories and expand ourselves more from contemporary art.The vision to achieve innovative breakthroughs and development of traditional painting creation.