Expression Of Wood Texture In Lacquer Art

The eight thousand years of Chinese lacquer art history consist of the labor and wisdom of generations of lacquer artists.Each period of lacquer art has its own artistic characteristics of Nothing in Common.Today,lacquer art is constantly combined with The Times in its inheritance and innovation,it has become one of the quintessence of Chinese culture and art.This paper studies and selects the wood materials in the traditional lacquer art.Wood is an important bearing material that has been used since the appearance of lacquer art.The application and exploration of wood in lacquer art have never stopped for thousands of years,the existence and use of wood are closely related to people's life,and the philosophical ideas contained in the "Wood" sublimated from the foundation of life to the "Wood" in the Wu Xing trace back to the worship of wood culture in Asian regions since ancient times,is the continuation of human civilization,one of the important context.In the network age under the advocacy of the concept of green environmental protection,people have a new understanding of the aesthetic culture of wood,the progress of science and Technology has promoted the innovation of technology,and the new technology has made the wood texture more changeable,for the wood texture performance of the creative research provides a broader material.In the process of creation,traditional lacquer materials,such as wood and lacquer,and traditional techniques in lacquer art,such as painting technique,lacquer technique of Rhinoceros Skin,inlaid technique of mother-of-pearl and grinding technique,were used to explore and study in various ways,the display of wood texture is more and more various,the performance effect is more abundant and changeful,this process is not only the innovation of technique,but also the process that the creative spirit is gradually enriched and matured in the exploration.The interaction between the artistic activities of the representative people and the natural wood texture of the heaven in the creation,how the two become a unique lacquer work becomes the theoretical research and guidance of the creation.Turning the dualism angle of view into the macroscopic angle of the whole interactive operation of the universe,taking the traditional Chinese philosophical idea of "the unity of Heaven and man" as the guiding ideology of creation,and taking the mutual transformation of artificiality and heavenly works throughout the creation,the work,the Creator and the viewer are finally connected as a whole."The unity of man and nature" is the guiding ideology of creation and the ultimate goal of the work.The creation and research of wood texture in lacquer art is the exploration on the expression of traditional materials and techniques,and is the breakthrough and innovation on the basis of inheriting tradition.The desire for beauty and the improvement in creation are the internal driving force behind the continuous improvement of lacquer art.With the development of the times and the changes in aesthetics,traditional lacquer art needs to be combined with the contemporary aesthetic spirit to make it fit people's life,a new lease of life.