| In recent years,the four words "cultural self-confidence" appear frequently in people’s eyes.Cultural thought is the soul of our country and our nation.With the rapid development of the globalization and modernization of today’s society,many intangible cultural heritages that carry the cultural thought of our country for thousands of years have been ignored by us,leading to chronic death.New Year pictures integrate the vast number of years in our country Farmers’ wisdom,folk beliefs and their living conditions are becoming more and more severe.With the rescue of folk New Year pictures led by Mr.Feng Jicai,chairman of Folk Artists Association in 2005,it has attracted the attention of all sectors of society and local governments.Governments have also begun to actively implement the protection of new year pictures,establish new year picture museums or exhibition halls,and carry out official activities related to New Year pictures However,as an ancient intangible cultural heritage,the style,form and content of New Year pictures are difficult to be understood and accepted by the masses.The traditional static display is the main way to display new year pictures in the New Year picture Museum,which is easy to make the audience have a wandering experience tendency.Even the most basic comprehensive and in-depth understanding of New Year pictures can not be achieved,it is more difficult to show the cultural core and spiritual value of new year pictures,making the heritage and protection of New Year pictures a bumpy road.This paper takes Taohuawu woodcut New Year pictures as the theme to design the exhibition space of intangible cultural heritage.In addition to the introduction and conclusion,there are four chapters.The second chapter studies the characteristics of intangible cultural heritage,the categories of intangible cultural heritage exhibition space and the protection role it undertakes.The third chapter studies the common display methods of modern display design and the design needs of intangible cultural heritage exhibition space in the new era The fourth chapter is to explore the development process of Taohuawu woodcut New Year pictures and try to excavate its artistic characteristics and the cultural meaning behind so as to apply it to the design practice.The fifth chapter is to clarify the theme content to be displayed and the design practice of Taohuawu woodcut New Year pictures exhibition hall.The establishment of the New Year picture museum is the first measure to protect the intangible cultural heritage.It is also the most common and main way.In the design process,it pays attention to the combination of static and dynamic display techniques,creates a unique cultural situation of Taohuawu woodcut New Year pictures,guides visitors to deeply understand the artistic characteristics and cultural connotation of the New Year pictures,and breaks the traditional intangible cultural heritage exhibition as far as possible Show the limitations of space design,so as to provide new ideas for the protection and development of traditional New Year pictures. |
