| In recent years,the state has paid more and more attention to the protection of intangible cultural heritage.As two important intangible cultural heritages in China,Shu Brocade and Shu embroidery have paid more and more attention to their inheritance and innovation.Along with them,all kinds of cultural and creative designs are produced for Shu Brocade and Shu embroidery and its surrounding areas.However,in this kind of cultural and creative design,there are few cultural and creative space designs related to Shu Brocade and Shu embroidery It is difficult to show the cultural charm of Shu Brocade and Shu embroidery in the space,and it is also difficult to be widely recognized and appreciated by the world.I hope that through the research and practice in my professional field,This paper applies the artistic language innovation of the intangible cultural heritage of Shu Brocade and Shu embroidery to the design of cultural and creative space,which provides a new direction and field for the innovation and application of the intangible cultural heritage of Shu Brocade and Shu embroidery,so as to make a contribution to the protection and inheritance of China’s intangible cultural heritage;secondly,it provides an effective reference theory for the cultural theme design of the current cultural and creative space and other types of space.This study is guided by General Secretary Xi Jinping’s "firm cultural confidence" and "building a strong socialist cultural power" since nineteen years ago.The main starting point is the inheritance and innovation application of Shu embroidery.This paper is mainly divided into five parts.The first part is an introduction to the research purpose,significance,value and research methods of this paper.The second part is a comprehensive study of the two intangible cultural heritages of Shu Brocade and Shu embroidery,and expounds the various characteristics and production technology of Shu Brocade and Shu embroidery.The third part mainly analyzes the definition,form and value of cultural creation space,And through the research and analysis of the design of all kinds of other handicraft non heritage cultural and creative space at home and abroad;the fourth part mainly researches and combs the theoretical methods and Strategies of the design of Shu Brocade and Shu embroidery cultural and creative space;the fifth part mainly combines the theoretical research with the design practice process of the design project of Shu Brocade and Shu embroidery innovative design and R &D center of Chengdu University. |