Applied Research On Cultural And Creative Product Design Of Eastern Qing Tombs Sculpture Pattern

The carving patterns of Eastern Qing Tombs are numerous and rich in content.They are not only of high artistic and ornamental value,but also of profound cultural deposits and historical value.Therefore,a series of studies have been carried out on the application of the carving patterns in the design of cultural and creative products of Eastern Qing Tombs,which provides a theoretical basis for the design of cultural and creative products of Eastern Qing Tombs.First of all,through the study of the field of Eastern Qing Tombs,in fully understand the Eastern Qing Tombs,and the status quo and problems of product design,on the basis of widely collecting pictures and information related to Eastern Qing Tombs,carving patterns,the Eastern Qing Tombs,carving patterns classified into six types,and further study of its aesthetic value,blessing from totem,religion,folk and patterns of the four aspects discusses the carving culture connotation,reveals the Eastern Qing Tombs,carving patterns in product design,the application of value for Eastern Qing Tombs,carving patterns in product design provides a theoretical basis for the application.Secondly,the analysis and demonstration were carried out from the outside to the inside.Finally,three application principles of the Eastern Tomb carving pattern in the design of cultural and creative products are summarized,namely,the principle of cultural inheritance,the principle of innovation and the principle of brand specificity,so that it is more reasonable and feasible in the application process.Will Eastern Qing Tombs carving patterns the clever use of text and product design,can not only enrich the Eastern Qing Tombs,wen gen products,promote the development of local tourism industry,and to improve the Eastern Qing Tombs,cultural background,enlarge the cultural influence of Eastern Qing Tombs,promote the Eastern Qing Tombs,cultural heritage and development,make Eastern Qing Tombs culture in contemporary blossom a new vitality!Figure 59;Table 8;Reference 51...