A Study On Baldassarre Peruzzi

Baldassarre Peruzzi was an important architect in the Italian Renaissance.As the beginning and end of his architectural career,the villa Farnesina and the palace Massimo,which were completed in the early 16th century,were so dazzling that his achievements in archaeological research,drawing performance,architectural creation,architectural education and other projects were underestimated.The drawing concept conveyed in nearly 400 pages of Peruzzi’s manuscripts is particularly important.Among them,a group of drawings on archaeological surveying shows the process of Peruzzi’s self-education through Roman ruins during his career establishing as an architect,reflecting the important source of sense of Roma construction during this period.The book,which contains 36 pages of drawings,is named "taccuino dei viaggi" and is kept in the Uffizi Museum of art.Because the division of art and architecture was becoming more and more obvious in this period,architects actively explored the perfect combination of traditional perspective and architectural performance.Under the influence of Roman circle,Peruzzi carried out personalized experiments and formed a unique drawing concept,which guided his later architectural practice.He created a special drawing technique to express the Roman space,which can be used as an important reference coordinate to explore the Romanesque of Renaissance architects in expressing perspective space.This technique also has a great impact on Palladio.In addition,Peruzzi himself is not a theorist,his original drawings and ideas were inherited by Selio,and a large number of copies were published in the Five Books of Architecture in 1537,which made Peruzzi’s influence spread widely and continuously.By combing Peruzzi’s life and social life,this paper intends to reveal the general characteristics of the Renaissance architectural history from the 14th century to the 15th century,especially the great significance of architects’ understanding of Rome and sense of Roma in guiding their creation from Bramante to Michelangelo,It is of great significance to clarify the influence of Peruzzi’s drawing concept on his contemporary drawing and the main channels to spread his influence through Palladio and others,so as to enhance the understanding of the blood relationship between Renaissance architecture and Rome,and to explore the value of ancient Roman architectural spirit from the perspective of environmental space consciousness.The whole thesis contains about 54 900 words,109 pictures and charts.