Study On Tibetan A Xie Song And Dance Music

Art is the creation of human wisdom.It comes from the process of human production,life and labor.Although there are many theories about the origin of art in the academic world,the most influential and extensive theories are labor theory and witchcraft theory.But whatever the theory,it is closely linked to the development of human beings.The production of art is the result of human’s own instinct and aesthetic tendency in various social activities.Culture and art are the spiritual home of mankind,the soul of an ation,and the inheritance and embodiment of the spirit of the times.At present,the fine traditional culture of allethnic groups in China has been inherited and the development environment has been continuously improved,which makes the Chinese nation’s 5,000 years of history and culture have a long history.The Tibetan “A xie”song and dance music is an architectural song and dance created in the thousands of years of Tibetan development history and the specific process of labor.Based on fieldwork,this paper makes an analysis and research on the spiritual connotation reflected in the music ontology and singing and dancing music of Tibet A Xie,and probes into the inheritance and development results of A Xie from the perspective of culture ecology.The main content of this paper is divided into six parts:introduction,four chapters and conclusion.The introduction mainly tells the background,source,research status,research content,research purpose,research significance and so on.The first chapter is an overview of Tibetan achitecture and agha,mainly from the history of Tibetan architecture,the use of agha,characteristics and the labor process of beating agha and other aspects of A Xie music.The second chapter describes the historical origin,basic concepts,forms and contents of the Tibetan A Xie music from a diachronic perspective.At the same time,from the perspective of synchrony,this paper expounds the cultural and artistic forms of A Xie music and its development and changes in today’s society.The third chapter is the ontological study of A Xie music,which is mainly analyzed and described from the aspects of melody tones,beat,rhythm,structural tone and dance rhythm.The fourth chapter is about the connotation and aesthetic meaning of Tibetan spiritual culture contained in A Xie,which is mainly discussed and interpreted from the aesthetic meaning of the spiritual cultural connotation of A Xie and the inheritance and development of A Xie from the perspective of culture ecology.The conclusion part mainly makes a summary of the main content of this paper,lists the main academic achievements and academic views of this paper,This paper expounds the significance and urgency of the protection and inheritance of A Xie dance music,in order to attract the attention of intangible cultural heritage protection units at all levels and scholars from all walk of life,and promote th protection and inheritance of the Tibetan A Xie dance music art.