Study On The Influence Of Traditional Philosophy Of Color Concept On The Ming Dynasty Figure Painting

The color of Chinese figure painting is a philosophical color,which is deeply influenced by the five elements and five colors view and the color view of Confucianism,Taoism and Buddhism.Before the Ming Dynasty and the Jin and Tang Dynasties,the color view of Chinese figure painting was mainly influenced by the five colors view and the color view of Confucianism.The color of figure painting is colorful and ancient.After the Jin and Tang Dynasties,since the song and Yuan Dynasties,the rise of literati painting was gradually influenced by Taoist and Buddhist views on color.The color of figure painting went to light crimson with clear color and black-and-white ink,from the heavy color of the Jin and Tang Dynasties to the elegant and beautiful of the song and Yuan Dynasties,developing and changing constantly.The Ming Dynasty is an era connecting the past and the future.Under the influence of the trend of retro thoughts,the color of figure painting chases the Jin and Tang Dynasties and the song and Yuan Dynasties.It absorbs the advantages of the previous generation and inherits its style,developing on this basis.And,based on its own era background,under the comprehensive influence of the court,the literati and the artists,forms the color setting style of gorgeous and exquisite work,light color of water and ink,and strange and ancient decoration.At the same time,in space,with the influence of "the eastward spread of Western painting",the portrait painting in the late Ming Dynasty integrated the realistic factors of Western painting,forming the realistic style of "taking the shadow like a mirror",which influenced the Qing Dynasty portraits and Japanese portraits in the same period.Compared with the previous generation,Ming Dynasty figure painting has the characteristics of in-depth development and variation in color,but on the whole,it is still a philosophical color,which can not be separated from the aesthetic connotation of the traditional philosophy of color.First of all,this paper works on the content of the traditional Chinese philosophy of color,starting with the Ming Dynasty figure painters and their works,and systematically explores the color design style of Ming Dynasty figure painting in stages,and explains the color view of its display with the view of clothing color,the view of ink law,the view of color and ink,etc.,combining the traditional philosophy of color and the background of Ming Dynasty,respectively discusses the five elements and five colors view of Ming Dynasty figure painting,as well as Confucianism The inheritance and development of the color concept of Taoism and Buddhism,and summarizes the influence of Ming Dynasty figure painting on later generations.The combination of the color style and concept of Ming Dynasty figure painting with the traditional philosophy color concept will be good for us to get a understanding about how to make progress under the complex background,and how to revive in the decline,so as to provide a reference for how to keep the original mind in mind and continue to move forward under the complex and far background of today.