The Study Of Ruan Ji’s Fu

Only seven of Ruan Ji’s Fu have been conserved till now,,including including the Fu of Dongping City,the Fu of Kangfu City,the Fu of Qingsi,the Fu of Turtledove,the Fu of Macaca,the Fu of Shouyang Mountain,and the Rhapsodic Biography of Daren Xiansheng.Ruan Ji’s ci fu plays an important role in the history of ci fu.His seven ci fu works include the traditional capital city,birds and animals,geography,goddess and fu fu biography.While inheriting the writing experience and skills of his predecessors,ruanji’s ci fu creation innovates and develops the traditional ci fu creation to a certain extent by combining with the special historical background and ruanji’s personal characteristics.The first chapter firstly analyzes the image changes of macaques and doves in the history of literature and their meanings in Ruan Ji’s ci fu,and then analyzes Ruan Ji’s political thoughts in the context of his creation at that time.The dove bird has always been an important image in the ancient literary history.In literary works,the ancients observed the relative habits of the turtle bird and connected it with the activities of human society by means of comparison.When Ruan Ji wrote "fu on the turtle",he described the hardship of the turtle in his life to refer to the life of scholars living under the dark reign of sima.In the history of literature,the image of the macaque is mostly associated with human beings.When Ruan Ji wrote an ode to the macaque,he first criticized and then sympathized with the macaque by comparing the life of the macaque with that of other animals.Ruan Ji not only shows the suffering life of scholars by narrating the lives of macaque monkeys and turtle doves.Through further analysis of ci fu,it can be seen that Ruan Ji’s thoughts in the current political society have changed from Confucianism to Taoism.The second chapter analysis the Dongping fu "and" Kangfu fu ",narrative of Ruan Ji to Dongping and Kangfu had seen and heard,very bad words of both people and the folk custom,in Ruan Ji’s Confucian zhenguan questioned further,and by building the imagination of the fairy world,shows that he wants to escape from the real world,yearning and fairy walks the fantasy world of thoughts.Ruan Ji’s du yi fu creation is further innovated and developed on the basis of inheriting the skills of predecessors.First of all,we get rid of the tradition of only paying attention to the description of Kyoto dayi and enrich the description object of du yi fu.Secondly,it got rid of the creation tendency of praising or allegorizing in du yi fu,and expressed its own critical spirit more.The third chapter analyzes the change of the image of Shouyang mountain in the history of literature,and analyzes the description in Ruan Ji’s ode to Shouyang mountain.When Ruan Ji describes Shouyang mountain and Bo Yi,it reflects that Ruan Ji’s thought has undergone a significant change from traditional Confucianism to Taoism.The fourth chapter " the Fu of Qingsi" and the Rhapsodic Biography of Daren Xiansheng" are Ruan Ji’s later creation.Both of them are ci fu works to realize and explore the way of Taoism through the discussion of shennu and fugue.Both of them reflect ruan ji’s philosophical thoughts.Moreover,in the two works of xuanfu,the aesthetic characteristics of Ruan Ji’s ci fu writing are more directly reflected.The aesthetic taste of ruan ji is influenced by Taoist thoughts,which is mainly reflected in the praise of the beauty of the content beyond the form,the beauty of solitude and the beauty of spirit beyond the material.The fifth chapter mainly analyzes the artistic characteristics of ruan ji’s ci fu works,mainly analyzes its expression methods and the formation of its special artistic characteristics.It is not only related to Ruan Ji’s special turbulent background,but also related to Ruan Ji’s cautious personality.