Research On The Narrative Changes Of The Theme Films

As one of the important media of the mainstream values and ideologies in our country,the theme film plays an important role in the construction of cultural discourse power and spiritual civilization.At the same time,in the new era,the theme film itself is also in constant development and change,whether in the theme of the story,the characterization or the way to transmit ideology,etc.,compared with the previous films,there have been many changes.This paper attempts to analyze the narrative perspective of the theme film that has won the domestic representative awards,and find out what changes have taken place in the narrative strategy and how the ideology behind it has been constructed in about 40 years,as well as the writing value of this paper? In order to make a more detailed theoretical analysis of the narrative strategy changes of the theme film in the academic level,and at the same time provide some reference for the future better communication effect of the theme film.This paper uses content analysis and text analysis,and selects the theme films that have won the Jinji Award,Baihua Award and Huabiao Award for best or excellent feature films since the establishment of the awards,and analyzes them from the story level and discourse level.This paper holds that,at the story level,the theme of the award-winning theme film has gone through the construction from the interpretation of major historical events to the promotion of the concept of outstanding individuals and national communities;in the aspect of the characterization of heroes,the award-winning theme film has gone through the transformation from the perfect hero to the business hero to the reckless fighting hero;in the narrative structure,the award-winning theme film has gone through the transformation from the perfect hero to the business hero to the reckless fighting hero.Finally,in the narrative mode,it has experienced the transformation from the big political narrative to the small landscape narrative.At the discourse level,from the perspective of narrative time,the winning theme films have changed from a single perspective to a multiple perspective in terms of time distortion techniques;in terms of time distance,the use of pause and scene is less,and the use of summary omission and expansion is more and more;in terms of perspective selection,the winning theme films have also experienced a change from a single perspective to a multiple perspective.From the perspective of post structuralist narratology,in terms of ideology,the award-winning theme film completes the output of ideology byingeniously hiding the identity of the narrator behind the image text;at the same time,through the artistic re creation of the real story,it adds the credibility and authenticity of the narrative;in addition,when and what the theme film narrates also implies the creator.The real intention of the film embodies the leading function of the theme film as the ideological state machine.In order to achieve better communication effect and realize the basic function of the national ideology machine,more arduous efforts should be made to improve the narrative means,ideology narrative strategy and many other aspects.